NYCC 24: HBO’s THE PENGUIN: Extended Sneak Peek and Conversations with Colin Farrell, Cast and Creatives

A new family will rise.

THE PENGUIN (MAX)

Thursday morning ‘The Penguin’ star and executive producer, Colin Farrell took the Empire Stage at New York Comic Con for a mid-season discussion by showrunner and fellow EP Lauren LeFranc, with fellow cast and creatives as they debuted the mid-season trailer in addition to two extended sneak peeks for the audience of episode five, while delving deep into the criminal underworld of Gotham City.

The next chapter in The Batman saga, HBO’s acclaimed original limited series THE PENGUIN, from Warner Bros. Television and DC Studios has seen a few incremental rating increases each episode since its September 19th debut.

This thrilling crime drama follows Oswald “Oz” Cobb’s quest for control in Gotham City. With the city in peril following the seawall’s collapse, Oz (Oscar® nominee Colin Farrell) seeks to fill the power vacuum left by the death of Carmine Falcone and finally give his mother Francis (Deirdre O’Connell) the life he’s always promised. But first, Oz must confront his enemies, including Carmine’s children, Sofia Falcone (Cristin Milioti) and Alberto Falcone (Michael Zegen); the Maroni family, led by their imprisoned patriarch, Salvatore Maroni (Clancy Brown); and Oz’s own demoralizing reputation as “the Penguin.”

Colin Farrell (Oz Cobb) aka “The Penguin”

Panelists included Colin Farrell (Oz Cobb aka “The Penguin” and Executive Producer), Cristin Milioti (Sofia Falcone), Rhenzy Feliz (Victor Aguilar), Deirdre O’Connell (Francis Cobb), Michael Kelly (Johnny Viti), Clancy Brown (Sal Maroni), Lauren LeFranc (Showrunner and Executive Producer) and Mike Marino (Prosthetic Makeup Designer). 

The panel opened with its first clip, where Oz Cobb (Farrell) and Victor (Feliz) shared a special moment where they discussed their relationship and loyalty, meanwhile Oz’s car burned in the background. Oz tells Victor “It’s you and me now, kid until the end,” before making a surprise visit to rough up Sal Maroni’s son and paying him a visit in prison.

During the first half of the panel discussion Farrell, LeFranc and Mike Marino elaborated on their first introductions to the character and refining the comic book character, and when LeFranc got the call to do the limited series which including previewing 40 minutes of Matt Reeves’ The Batman and transitioning from film to television.

Lauren expressed how she really dove into the character when she read thescripts and when Matt showed her the first 40 minutes. She was inspired by the psychology of where Oz came from and what makes him tick. She also wanted to honor Matt and the comics that came before, while keeping a similar tone in the transition from film to tv and how the character has evolved. 

Oz is a funny, weird and unpredictable guy and the show expands that, in the film Oz had light screen time and served as comic relief, it didn’t really get to dig into his motivations or backstory so now the show gets to do that.

Farrell called playing the character “a dream come true…because I’m still 48 going on seven sometimes. So it’s not lost on me that I was a seven-year old kid sitting on a carpet in Dublin in my parents’ house watching Adam West and all the pow! Kerrang! and an all that stuff.”

The incredibly talented Prosthetic Makeup Designer, Mike Marino talked about his inspiration for movie make-up magic and the first film he saw that blew him away was Elephant Man by David Finch, and not knowing at the time about the extensive makeup it required. Later on in life he really appreciated the craft and learned it wasn’t real but actually makeup, and this was back in 1980. He went on to say Michael Jackson’s thriller is the greatest thing ever, and how Artist Rick Baker, known for Planet of the Apes (2001), Men in Black, and The Wolfman (2010) really  got him into makeup effects. Baker who also worked on the Nutty Professor, later became close friends with Marino, congratulating him on The Batman saying it’s the best makeup ever done and that he really loved the show, bringing things full circle for Marino.

During the panel, Marino explained the behind-the-scenes work, and how “it was a great opportunity to explore his make-up, his character and see what we could refine from the film. Technical pieces, changing the design for the better. We were filming in so many lighting environments, he’s in the make-up much longer, so it’s a huge maintenance to keep this magic trick together for that long.”

Not only was Farrell’s face being completely transformed, but he was also wearing the suit for longer periods of time, building his accent with the dialect coach and getting his walk down-packed. 

Lauren talks about really getting into the strange little moments and details of developing the character of Oz and how she really enjoys working on the scripts for the show. It’s fun to write.. challenging dark thrilling” and her experience writing and working on his voice, his humor, and how cutting and terrible he could be, really shaping what living as Oz on the page would look like.

She goes on to say Farrell is the “most incredible actor to take on and embody Oz,” along with Mike’s makeup with Colin underneath, working with such an “incredible, amazing talented genuine, and lovely. can’t ask for a better cast.”  She thanked her amazing team of casting directors and writers bringing these characters to life was truly amazing, and nice to see the whole crew environment band together on site despite challenges like the strike, and cold weather.

For a production that was interrupted by WGA and SAG-AFTRA strikes, Farrell also credited the team of people around him who helped bring the show and titular character to life. “So much of the work I really did feel was done for me,” Colin said crediting artist Mike Marino in particular with a character design that turned out to be far more detailed and physically transforming then he initially thought. Farrell said he went into the project expecting “a bit of a nose prosthetic or something” and instead was “confronted with the fleshy, imposing figure at the center of this dark telling of The Penguin’s origin story.”

Cristin Milioti (Sofia Falcone), Rhenzy Feliz (Victor Aguilar), Deirdre O’Connell (Francis Cobb), Michael Kelly (Johnny Viti),and Clancy Brown (Sal Maroni) join the stage after a second clip is revealed. 

Sofia Falcone (Milioti)

The second clip, Sofia Falcone (Milioti) has Johnny Viti (Kelly) chained up in a cold, chambered room where she tortures him with ice cold water while he refuses to give up information. She asks him he if he wants to die here in the dark, and Johnny begins to reveal some truths about her parents, and her mothers plans for leaving Carmine. Viti pleads to Sofia that he can help her gain the next respect she needs to move forward as a criminal leader. 

Michael Kelly tells fans that his scene with Sophia scared the hell out of him as an actor. Milioti describes Sofia as a dark and complicated character, and how she’s been wanting to do something challenging like this [character] since was little, which sounds crazy.” She says that playing Sofia, whose arc goes from mob daughter to a queenpin is the “heart of episode four,” and it was “a dream,” not just the opportunity to portray a villain in the Batman universe, but for the depth of her story. “It’s so rare that you’re given an opportunity to show that much of someone’s history, and especially to show why someone is driven to madness.”

The Penguin (MAX)

Milioti explains how Sofia Falcone was betrayed by her own family and sent to Arkham, her father groomed her to be next in line, and she was born to take over the family. She says it would’ve happened the same way, of course the circumstances are very different, but she would’ve led regardless. Her story is loaded, but she’s good at this.

The clip also showed what’s going on with Oz, as he is seen rallying his troops, planning the next move against the Maroni’s. He tasks Victor with protecting with mother, but when the young protege gets to Mrs. Cobb’s house, he finds a mess and she appears missing. He finds her cooped up in the bedroom and she mistakes him for Oz. He reveals the fate of the Falcone family. 

The series is not only an origin story for Oz, but essentially an origin story for everyone. We don’t just get a deep look into the lives of “Ma” and Oz’s relationship but also the lives of Vick and Sophia. Rhenzy Feliz who is spectacular as Victor Aguilar, talks about how Victor is one of the few innocent people we see. He goes down this dangerous path and returns to Oz when he came back to save his life. Oz tells him the life that Victor is headed down doesn’t offer much success, and now things are more exciting. Victor lost his family and gets to be a part of something big, he doesn’t have money, and he liked something in Oz, especially his confidence.

Rhenzy Feliz as Victor Aguilar

Ultimately he made the decision to stay, Renzy says Victor doesn’t necessarily look at Oz as family.. hasn’t given “so much thought to it” but “starting to understand the opportunity” and coming into it the relationship w/ Oz as “a mentor figure, something familiar, a mentorship.” 

Deirdre O’Connell (Francis Cobb) talked about her toxic relationship with Oz. That Mrs. Cobb is proud of what he’s doing some of the time, and how he has a tendency of being weak and being invisible, and that she turns his dark nature into a weapon. Colin jokes about feeling triggered by his on-screen mother.

Deirdre O’Connell (Francis Cobb)

Colin also chimes in about his thoughts on Oz’s and Victors friendship. Oz trust Vic with the life of his mother, he’s a kindred spirit, the first time they met he was a danger a threat but he eventually sees Vic is just a kid falling apart, notices his stutter and sees something familiar. Misery loves company, Oz is also lost a bit more than he realizes. He also sees Vic as someone he can push around but gets the sense of a loner and over time grows affection. Victor represents a “conscious.. the purest representation of innocence, a lovely character point Lauren designed.”

Throughout the panel, the cast and creative team discussed previous iterations of Batman characters, including The Penguin. Farrell acknowledged Adam West, Danny DeVito and the expansive worlds of Christopher Nolan and Tim Burton. One of the most interesting takeaways from the panel was when LeFranc was asked what inspired her take on “The Hangman” Sofia Falcone. Milioti’s stellar Emmy-worthy performance especially in Episode 4 where we learned her full backstory, has received high praise.

Sophia wants to win, she wants power and believes she deserves it and will make-up for what happened to her. Milioti says Sophia’s pain has no where to go. Show-runner Lauren LeFranc explained her vision of Sofia’s origin, how thinking about what would make someone so innocent become this way. 

 “I was inspired by Rosemary Kennedy’s story. She was deemed the forgotten daughter. In her 20’s, her father put her in an institution and she was given a lobotomy. We don’t know what her story was,” she told the audience. “Thinking like a character like Sofia and bringing her into the world… as a character I wish I had when I was younger, I wanted to relate her to something that felt very real.” – Lauren LeFranc

Cristin Milioti excitedly expresses how appreciative she is “getting to play that rare given opportunity to show someone driven to madness and understand what she does.”

This whole world came from Lauren and an amazing team of writers. They talk about the scene where Sophia grows bolder is not afraid to hide her scars anymore, and the work of Martha Melendez (department head of makeup) and Helen Wong (head of costume design).

“The Penguin” is executive produced by showrunner Lauren LeFranc along with Matt Reeves, Dylan Clark, Farrell, director Craig Zobel and Bill Carraro and Daniel Pipski.

The panel ended with a treat to a special mid-season trailer.

Stream a new episode of the HBO Original Limited Series #ThePenguin this Sunday at 9 pm ET on Max.

Discover the best entertainment for every mood. Introducing Max – the one to watch. #WarnerBrosDiscovery #streamonmax #theonetowatch

Interview: PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE by Karama Horne

Find out if you have what it takes to become a member of the Dora Milaje and bring honor to your tribe!

Courtesy of Marvel, I got to preview the upcoming book PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE by Karama Horne. Catch us discuss her process, inspirations, the Wakandan alphabet, and the intricacies of Wakandan culture. There is a reason the Dora Milaje are often referred to as “living weapons.”

Now publishing September 20, 2022, PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE takes you inside Wakanda’s elite, all-female guard—to learn what it takes to join their ranks. In this manual you will learn all about Wakandan history, Dora training, weapons and attire.

To master your evaluation you must master your lessons, you must adhere to the five tenets of the Dora Milaje:

Tradition
Honor
Strength
Courage
Compassion

In this exclusive, in-world manual, you’ll step inside this elite society of women warriors and discover what it’s like to train as member of the Dora Milaje. Recruited from across all tribes, the selected initiates undergo intense training, both physical and mental.

Passed down from elder Dora to initiates, with entries by General Okoye, Princess Shuri, and Queen Mother Ramonda, Protectors of Wakanda reveals not only the history and foundation of the unit, but collects the strategy, weapons, and combat training as well as the code of honor and nuances of service required to protect the Black Panther and the nation of Wakanda.

Added commentary and guidance from notable warriors, such as Mistress Zola, Ayo, Aneka and M’yra, fill the margins of this treasured text.

“The history of Wakanda is a marriage of tradition and technology.” Vibranium is the greatest source of power – used to create weapons and advanced tools for agriculture. The very rare and valuable type of vibranium could only be found and mined from Wakanda. Learn all about its rich history from characters such as Queen Romonda and Princess Shuri. (See preview pages below)

There were many methods the warriors used to prepare for battle, including meditation rituals.
“Rest and healing are as important as strength and fighting.” I not only loved learning about the Warrior practices for battles and their choice of weapons but how they mentally prepare themselves and recover.

Learn about Queen Nehanda, the founder of the Dora Milaje and how she chooses her initiates: “the Adorned Ones” aka the Dora Milaje. The manual breaks down the use of weapons, and the different attire based on levels of training. Cosplayers will love seeing all the different costume breakdowns. Loved chatting with Karama about her inspirations and which comics and cultures she drew inspiration from in writing this book. We also talk about which artist she got to work with on this manual, and the importance in telling these kind of stories.

PREORDER NOW: (contact your local book store)

Protectors of Wakanda: A History and Training Manual for the Dora Milaje cover art by Ashley A. Woods

*Photos courtesy of Marvel/ Epic ink

Karama Horne (@theblerdgurl”) is a writer, podcaster, host and critic parked at the intersection of geekdom and diversity. Founder of theblerdgurl® brand, Karama is recognized throughout genre entertainment as an authority on geekdom and inclusion. She has been seen on red carpets, hosting comic con panels from New York to San Diego and has been featured in USA Today, The New York Times, The Guardian, The San Francisco Chronicle, and Black Enterprise. She curated the sequential art exhibit “Artist’s Experience: From Brotherman to Batman” Karama also has bylines at Marvel.com, Rotten Tomatoes, NERDIST, SYFYWIRE, and The Wrap. Her first novel, set in the world of the Black Panther Universe, “Protectors of Wakanda: A History and Training Manual for the Dora Milaje”, hits bookshelves Fall of 2022

JUJUTSU KAISEN 0: Interviews with the cast!!

Crunchyroll

I had the opportunity to interview the English voice cast for the upcoming JUJUTSU KAISEN Movie!!

JUJUTSU KAISEN 0 follows Yuta Okkotsu, a nervous high school student, who enrolls in the mysterious Tokyo Jujutsu High School under the guidance of Satoru Gojo after being haunted by the curse of his childhood friend. The film is based on JUJUTSU KAISEN 0 (JUMP COMICS / Shueisha), a prequel manga to the smash hit supernatural adventure series from Gege Akutami.

• Satoru Gojo – Kaiji Tang

• Suguru Geto – Lex Lang

• Maki Zen’in- Allegra Clark

• Toge Inumaki – Xander Mobus

• Panda – Matthew David Rudd

• Yuta Okkotsu – Kayleigh McKee

• Rika Orimoto – Anairis Quiñones

Jujutsu Kaisen 0: Movie Review up on OTAKUS & GEEKS

JUJUTSU KAISEN 0 releases in theaters March 18, subbed & dubbed, with tickets available NOW. Fans don’t need to be caught up with the manga or series to enjoy the movie! 

Follow @crunchyroll on IG/TW/FB/TT for more exclusive content and info about #jjk0movie

Is “The Batman” the best Batman film or the most authentic film to the Batman mythos?

*Contains spoilers 

The Batman is a gritty psychological crime thriller featuring the most Gotham-esqe Gotham we’ve seen yet.

Matt Reeves wowed audiences with his grounded interpretation of the caped crusader. The film was gritty, suspenseful and incredibly shot, and possibly one of the best live-action stories we’ve seen yet. The film does a great job displaying Bruce’s detective skills as the film is shot like a gruesome crime mystery reminiscent of the film Seven. The Batman perfectly captures the essence of Gotham and its overall dark corruption. The film puts a heavier emphasis on the criminal underworld and its connections to the elite. This is where the film perfectly encapsulates the world of Gotham. 

The film stars Robert Pattinson as a young inexperienced Bruce Wayne, who ventures into Gotham City’s underworld to track down a sadistic killer leaving behind cryptic clues and a trail of bodies. Batman partners with the most trustworthy cop Lt. Jim Gordon (Jeffrey Wright) and an unlikely ally Selina Kyle (Zoë Kravitz), to gather evidence and unmask the culprit while bringing justice to the corrupt streets plaguing Gotham. The entire cast is phenomenal, with standout performances by villains The Penguin (Colin Farrell) and the main antagonist Riddler (Paul Dano). Zoe oozes Selina Kyle, and Robert Pattinson proves to fans that he is worthy of the cowl. But is this movie the best iteration of Batman?

The Batman hands down features the best story-telling we’ve seen yet in a live-action Batman film. It is the best contained Gotham story as threats were just limited to Gotham City with Batman earning his rank as Gotham’s protector. This isn’t an origin story, or even an established Batman yet, as it takes place only two years into Bruce donning the cape. It is heavily focused on Bruce’s early career as the Bat as he is still learning who he is inside and outside of the cape. The film draws inspiration from numerous Batman comics and media, as you can tell Reeves studied his source material. The movie highlights a young and unrefined Batman, similar to the PS3 game Arkham Origins as it takes place before the rise of Gotham City’s most dangerous criminals and it centers on his early days as a crime fighter, meeting many key characters on his path to becoming the Dark Knight. 

Pattinson gave a stellar performance as an unhinged and inexperienced Batman. His Batman was gritty, real and sorrowful. He was full of rage, and always ready to let loose, but what ultimately stood out was his fear. We saw real fear on his face when he was hesitant to jump off the Police Department roof. This is a version of Batman we haven’t really seen on screen. He also injured himself numerous times and got manhandled throughout the film. One can argue there was no distinction between his portrayal of Bruce and Batman, but isn’t that what made this film work? He hasn’t come into his full Bruce Wayne “persona” yet either. We could potentially see this addressed later as his character develops. In a sequel we may see a much more refined, clean-cut Philanthropist Bruce Wayne. 

While the movie executed his inexperience fairly well, it didn’t explain how he got where he is now. We don’t need the typical alleyway murder or falling into a cave of bats but it did skip around important details. Alfred hinted at training Bruce, but has he had any professional training yet? If not, how did he pull the infamous ninja disappearing act? He also isn’t fully equipped with Bat-Tech yet, but he did have some very impressive high-level tech like the contacts camera. This brings up so many questions. What kind of professional training has he had yet? There was no mention of the League of Assassins (could this be part of a sequel). Did Alfred train Bruce so far, does he know Lucius Fox? How did he build these gadgets and the Batmobile? How did he conquer his fear of Bats? 

On to the CAT. Zoe Kravitz was perfectly cast as the whip-carrying burglar, adversary/ lover of Batman. Her mannerisms were precisely spot-on and she exudes the confidence of Selina/Catwoman. She was adventurous, sexy, dark and mysterious. The movie eluded to her abandonment issues and troubled past with an interesting backstory of her mother’s murder by her father, who is later revealed to be the infamous Crime boss Carmine Falcone (John Turturro).

While Kravitz nailed her role as the infamous Selina Kyle, the Bat/Cat love story was a bit underdeveloped. Their connection was a bit rushed as the film established their romance too quickly. We get Selina and Bruce are two broken people but their connection felt forced before establishing real chemistry. There should have been only one kiss and the prolonged going separate ways could’ve been shortened to emphasize a more effective goodbye. 

Overall, Selina Kyle had a much bigger part in the film than necessary as the movie didn’t elude enough to her mystery and crime- ridden lifestyle. She also could have been given better fight scenes as the jump cuts were poorly done which we’ll get more into effects later.

This time around, we didn’t get enough Alfred, (Andy Serkis). Hopefully we’ll see more of him in future sequels and learn more about his history with the circus and his training with Bruce. It seems as if they will have a much stronger relationship going forward after his tragic close call with death. However, we did get alot of Gordon/ Bat action. This duo worked so flawlessly together and Jeffrey Wright gave a noteworthy performance as Batman’s very important accomplice Jim Gordon as they try to take down the masked killer terrorizing Gotham.

Now onto the villains, who were magnificent, terrifying and possibly the best part of this film. The Riddler AKA Enigma not only terrorizes Gotham, but he forces Batman to face unsettling truths about his parents Thomas and Martha Wayne. The Riddler isn’t typically one of Batman’s top adversaries, and is open to interpretation. We have seen different versions of Edward Nygma, as moviegoers can recall Jim Carrey’s manic yet comedic version. Dano plays The Riddler in a much more serious manner, as a serial killer comparable to the Jigsaw Killer (SAW) , The Zodiac killer, or John Doe (Se7en) as he captures his victims in elaborate death traps. This interpretation is more familiar to fans of the video-game TellTale Games Batman: The Enemy Within, with its very dark depiction and humorless Edward Nygma. His suit in the movie also has a likeness to the henchman in the game. Riddler was one of the first “supervillains terrorizing” Gotham City and the central antagonist. Dano’s Riddler was sadistic, arrogant, and believed himself to be superior to his victims. He toyed with Batman and his pursuers leaving elaborate clues and puzzles at his crimes. He was willing to kill, and would acknowledge those who could successfully match his intellect. The USB thumb drive was pure genius and a perfect example of The Riddlers sordid games.

THE BATMAN Copyright: © 2021 Warner Bros. Entertainment Inc. All Rights Reserved.

Another outstanding performance was Colin Farrell’s performance as Ozwald/ The Penguin. Farrell was almost unrecognizable as the crime boss slimely making his way to the top of Gotham’s crime syndicate. His voice, demeanor, perfectly captured the sleaziness of Ozwald. Can’t wait to see more of him, with word of a potential TV series coming to Max.

While the story, the cast and the cinematography were astounding. There were a couple gripes I had about the film. I mentioned the jump cuts. Some of the fight scenes could have been executed better, as some of the characters in a flash would be in a different position taking away from the fight making it less believable. This isn’t on the cast but the way the scenes were essentially shot. The musical score was outstanding, but a bit distracting at moments where it took away from the scene. This caused some missed emotional moments, such as Batman essentially electrocuting himself to save those drowning below. Though the music was integral it took you out of important scenes. I didn’t feel the connection when Bruce was saving the people in the water, this scene should’ve had audio without music. Another missed moment was the joker Arkham scene. This entire scene was unnecessary and added to an already long run-time. Aside from some missed emotional moments this movie is spectacular. 

Overall, Matt Reeves and cinematographer Greig Fraser have given fans the best live-adaptation of Gotham City we’ve seen yet and a fantastic fan service to the world’s greatest detective. Gotham City plays a key role in The Batman as he not only lurks in the shadows, but its city is full of evil, the downtrodden and the oppressed. The Batman may be an even more realistic take than the stellar The Dark Knight Trilogy, so fans are curious to see how they will handle future Batman’s rogues gallery. Pattinson may or may not be your favorite to put on the cowl, but it’s definitely a great Batman film. By the end of the movie we see his evolution as he learns he can’t just be “Vengeance” and feared by criminals, but that he has to be a beacon of hope for the people of Gotham.

Overall: 8.5/ 10

Stunning Cinematography, Stellar cast
Dark, suspenseful and cunning 
Best live-action depiction of Gotham City
Great introduction to 2nd Year Batman

Also check out my joint Video review with Big Gold Belt & The Nerd Blast!

Release date: March 4, 2022 (USA)

HARRY POTTER Levitating GOLDEN SNITCH & Hogwarts Orb Unboxing!

HARRY POTTER Levitating GOLDEN SNITCH Sculpture (The Bradford Exchange) ($199.99)

HARRY POTTER Levitating GOLDEN SNITCH Sculpture: https://bit.ly/3mtxw23

GOLDEN SNITCH™ sculpture from The Bradford Exchange features: -Capture the magic of HARRY POTTER™ and the thrills of QUIDDITCH™ with the HARRY POTTER Levitating GOLDEN SNITCH™

GOLDEN SNITCH™ sculpture from The Bradford Exchange features: -Capture the magic of HARRY POTTER™ and the thrills of QUIDDITCH™ with the HARRY POTTER Levitating GOLDEN SNITCH™

This exclusive collectible GOLDEN SNITCH™ sculpture from The Bradford Exchange features: -Capture the magic of HARRY POTTER™ and the thrills of QUIDDITCH™ with the HARRY POTTER Levitating GOLDEN SNITCH™ Sculpture, exclusively from The Bradford Exchange -This levitating sculpture features a gleaming, winged recreation of the GOLDEN SNITCH that floats and rotates in mid-air with the innovative use of electro magnets 

-The base showcases crests of the four iconic HOGWARTS™ houses: GRYFFINDOR™, HUFFLEPUFF™, RAVENCLAW™, and SLYTHERIN™, as well as the HOGWARTS crest

-It lights up! At the flip of a switch, the base lights up with blue LED lights that glow at the top of the base and the perimeter -Makes for a must-have HARRY POTTER collectible for fans of the magical series 

-Edition limited to 295 casting days, so order now! 

-Certificate of Authenticity 

-SNITCH measures 2-1/4″ W; 7″ W with wings; 5.7 cm W; 17.8 cm with wings; base measures 2″ H x 6″ in diameter; 5.1 cm H x 15.2 cm in diameter 

Price: $199.99 US s&s◇ $25.99 US Available in 4 installments

Laser-Etched Glass Orb Lights Up With HOGWARTS House Colors (The Bradford Exchange) ($119.97)

HOGWARTS Laser-Etched Glass Sculpture: https://bit.ly/306R7h3

This collectible HARRY POTTER™ HOGWARTS™ glass orb sculpture from The Hamilton Collection features: -Display an enchanting celebration of all 4 HOGWARTS™ Houses with the HOGWARTS Laser-Etched Glass Sculpture, available only from the Hamilton Collection

-Officially licensed by Warner Bros. Entertainment Inc. -Over one million laser points recreate a fully 3D, laser-etched image of HOGWARTS School of Witchcraft and Wizardry right in the center of the optically pure glass orb sculpture

-Color-changing lights! The glass orb illuminates with the rotating colors of each of the 4 Houses – including scarlet for Gryffindor™, yellow for Hufflepuff™, blue for Ravenclaw™ and green for Slytherin™ 

-Hand-painted in a sleek metallic gold-tone, the base of this HOGWARTS sculpture is masterfully crafted to resemble the sought-after House Cup bearing the official HOGWARTS coat of arms

-This HARRY POTTER™ collectible makes an impressive keepsake and gift for all witches, wizards and Muggles alike

-Requires 3 “AAA” batteries (not included) 

-Edition limited to 95 casting days, so order now! 

-Hand-numbered with matching Certificate of Authenticity 

-Measures 4-1/2″ W x 5-3/4″ H; 11.4 cm W x 14.6 cm H 

Price: $119.97US s&s◇ $17.99 US Available in 3 installments

Click Here to Check Out My Holiday Gift Guide for more Geeky Gift Ideas this season!!

Resident Evil Review: Why Welcome to Raccoon City Should’ve Been a TV Series

SONY (L to R) Tom Hopper, Chad Rook, Hannah John-Kamen, Robbie Amell in Screen Gems RESIDENT EVIL WELCOME TO RACCOON CITY

*Contains minor spoilers

RESIDENT EVIL: Welcome to Raccoon City returns to the origins of the massively popular Capcom franchise taking fans back to where it all began. The live-action reboot, written and directed by Johannes Roberts, takes a different approach this time, with more of a horror-based film than action. While it successfully translates many different elements from the games to the big screen, giving fans the closest live-action adaptation we’ve seen so far, it still somewhat disappoints. I can best describe it as a worthy fan film that just needed a better budget, better special effects and more run-time. Honestly, this film would have been golden if it were pitched as a TV series. When will people realize that RE will translate much better in long- form storytelling.

Fans of the original games can at least appreciate Roberts direction, as a gamer himself Roberts made sure to pay close attention to detail and we can definitely see that throughout the film. For over twenty-five years the horror based Resident Evil franchise has given fans dozens of games, multiple animated films and 6 very loose live-action adaptation blockbusters (Paul W.S. Anderson). Now there is a new film for a whole new generation of RE fans.

RESIDENT EVIL:  WELCOME  TO  RACCOON  CITY,  once  the  booming  home  of  pharmaceutical  giant Umbrella  Corporation,  Raccoon  City  is  now  a  dying  Midwestern  town.  The  company’s  exodus left  the  city  a  wasteland…with  great  evil  brewing  below  the  surface.  When  that  evil  is  unleashed, a  group  of  survivors  must  work  together  to  uncover  the  truth  behind  Umbrella  and  make  it through  the  night. 

(LtoR) Avan Jogia and Kaya Scodelario in Screen Gems RESIDENT EVIL WELCOME TO RACCOON CITY

The film takes some creative freedom but is still pretty faithful to the source material with references from both Resident Evil 1 & 2 giving fans a lot to be excited about. Let’s start with what works. The movie does a fantastic job of displaying video game references, locations and character interactions to make it the BEST Resident Evil live action movie adaptation. There is so much nostalgia as it takes place in the 90s giving fans a real connection to the games from our childhood. It is much darker than the previous movies and it gives us a new look at some of our favorite characters. Initially, I was unsatisfied with the casting announcements, but after watching the movie I actually didn’t mind the casting choices at all. Conclusively, the casting was not my main issues with this film.

Welcome to Raccoon City features many popular locations such as the orphanage, Spencer Mansion and Birkin’s laboratory , as well as all the main characters of the early “Resident Evil” games (Chris and Claire  Redfield, Jill Valentine, Leon S. Kennedy, Albert Wesker, Chief Brian Irons of the  Raccoon City Police Department, Lisa Trevor, and Umbrella scientist William Birkin).

The film adapts storylines from the first two games, and follows Chris (Robbie Amell), Jill (Hannah John-Kamen) and Albert Wesker (Tom Hopper) as they explore the abandoned Spencer mansion to investigate a murder. Meanwhile, Claire Redfield (Kaya Scodelario) returns home to Raccoon City to try and warn her brother Chris about Umbrella poisoning the towns water with a dangerous substance. Claire later teams up with rookie cop Leon (Avan Jogia) as they try to find a way out of the RC Police Department and out of Raccoon City before it explodes. The cast ultimately did pretty convincing performances each in their own right, the issue was more the lack of character development and rushed plot-lines than the actual portrayal of the characters themselves.

Although the filmmakers shifted away from casting actors that look exactly like their in-game counterparts, the cast still brings some life to their characters. The S.T.A.R.S members are portrayed as relatable people that you can connect with, laugh and associate with throughout the events of the film. The dynamic duo, Chris (Amell) and Jill (Kamen) are still the elite trigger-happy badasses that we know and love, we just don’t really get a chance to see much of their friendship aside from a few flirty jokes and just literally having each other’s backs. I just wish the film really took the time to delve into these character arcs more. Although Jogia gave a pretty solid performance as our favorite pretty boy Leon, his character was very one dimensional. Yes, Leon is the new guy in town and a rookie to the force but he was literally always the butt of the joke and never taken seriously in this film. Leon is such a beloved character and this kind of did him a disservice. Especially with the tone of this film being darker and scarier the jokes could’ve been left out.

Another character that was a bit disappointing was the fan favorite “tragic experiment” Lisa Trevor. Although it was cool to finally see Lisa Trevor on the big screen, the movie didn’t do her character any justice.  She was not as scary looking as we hoped, but i’ll get more into effects and design later. The bigger issue is that viewers don’t get any semblance to how mortifying her character really is. Unless you are well-versed in the games, you won’t have any idea about who or what she is.

Lisa Trevor in Screen Gems RESIDENT EVIL WELCOME TO RACCOON CITY

A series could’ve spent an episode’s worth showcasing more of Lisa’s story, her fathers connection to the Spencer mansion, the underground laboratory, her kidnapping and being a test subject and undergoing grotesque mutations. This is where the film failed to showcase the horrors committed by Umbrella. The movie really should’ve delved more into her tragic storyline, a television series would have worked perfectly to give enough time to flesh out her backstory, instead of introducing her character for a mere two minutes to only serve as a tour guide for Claire.

Roberts was excited to bring Lisa to life “Lisa Trevor was one of the most fascinating characters to portray in the movie – and she’s a character who’s never been portrayed in the movies until now,” he says. “She was always one of the characters in the first game that most interested me – there’s something very tragic and haunting – as well as terrifying – about her. I tried to bring that into this movie, and we cast a very interesting young actress, Marina Mazepa, who brought a life and personality to a tormented being. She’s unique – I’m looking forward to seeing an audience reaction to her.

Lisa was a human test subject forced to undergo a plethora of biological experiments conducted by the nefarious Umbrella Corporation. The side-effects of the experiments mutated Lisa into a monstrous abomination. CAPCOM

For this character – another orphan, and a victim of Umbrella’s experiments – Roberts gave the character a design he calls “very creepy.” “She has a mask made of human flesh. She wears like old rags and clothes. And she has a board that clasps her hand together. She’s a very disturbing character.”

Dr. William Birkin, played fantastically by Neal McDonough is the face of the Umbrella Corp and the films main antagonist. Birkin was one of the Umbrella Corporation’s top viral researchers and the man responsible for the development of the G-virus. He is also the man foremost responsible for bringing about the destruction of Raccoon City. Neal does a phenomenal job as the dedicated virologist and family man who ultimately goes crazy, and “all hell breaks loose.”

Dr. William Birkin (ウィリアム・バーキン Wiriamu Bākin?) was a virologist who worked for Umbrella Pharmaceuticals in the 1970s-1990s. CAPCOM

Roberts was blown away by McDonough’s performance – not only as Dr. Birkin as a  human being, but in more monstrous forms. “As Birkin transforms, Neal understood  that his performance couldn’t be quiet and small. With all the CG and the prosthetics,  he knew how to take that performance and deliver it, not just for camera, but for  down the line, in post. He knew exactly what he needed to give to not be completely  dwarfed by the makeup and effects around him. He’s an amazing bad guy.” 

While I do agree with this sentiment, I still think his character was tragically wasted as the films third act was catastrophically rushed. There really wasn’t enough time to show his character crack, or even enough run-time in his monstrous form in general. His transition could’ve been better and he wasn’t as terrifying as the games, which brings me to the set locations, the overall effects and the simple appearance of the zombies.

Building Raccoon City

My biggest complaint when it comes to modern-day horror films is the overbearing and poorly done CGI. That is why I was immensely surprised to learn most of the film was shot on location and did in fact use some practical effects and prosthetics.

To find their Raccoon City , the production searched small towns that had gone through similar changes. Hartley Gorenstein, a trusted line producer on many movies suggested production check out Sudbury, a former mining town that’s gone through many transformations: was the site of a deadly tornado, the third-largest impact crater on earth, was left with a ruined landscape with acidic lakes, and so much pollution that all the trees died. (Sudbury today has the cleanest air in Ontario).

The production worked hand in-hand with game manufacturer Capcom who supplied production designer Jennifer Spence (Shazam!, The Forever Purge) with the “architectural plans” for the Spencer Mansion and police station to enable her and her team to recreate them as closely  as possible. They included the sprawling exterior of the Spencer Mansion, as well as various interiors — the main entrance hall with its staircase, the library, and several  other rooms, as well as the exterior of the police station with its huge atrium.  

I am always impressed by movies that do an elaborate job of world building and immersing viewers, but this movie didn’t exactly deliver that. While overly excited by the literal replication of some signature locations from the game being built – including the Spencer Mansion, the Raccoon City Police Station, the Umbrella  Orphanage, and the Birkin’s underground laboratory, oddly enough – they didn’t feel real. Some scenes looked entirely green-screen. Maybe with a bigger budget and an extended time frame we could’ve really had a chance to appreciate these sets with more screen time and character interactions like more puzzles and actual searching. Overall the film did an amazing job of giving us locations directly from the game where viewers can literally recall specific moments.

Creating the Zombies

In the end, Roberts says, he “drew a lot from the game.” A more unlikely inspiration  was the miniseries “Chernobyl” – Roberts was so disturbed by the depiction of  radiation sickness that he asked Resident Evil’s prosthetic supervisor Steve Newburn to lean into the effect of chemical burns and radiation poisoning on the  skin, rather than opting for the zombie trope of dead, rotting flesh. “It’s a slow build,  rather than you’re bitten and you turn,” Roberts explains. “It required very complex  prosthetics. It was insanely tricky to do with Covid precautions, in minus 10-degree temperatures, rain, shooting crowd scenes with hundreds of zombies. But the  hardest thing was to feel the humanity of the zombies; I wanted to know there’s a human being under the makeup.” Which would make it all the more scary and  meaningful when the gloves come off and the zombies rampage. 

While, I do appreciate this dedication to detail, the zombies weren’t terrifying enough and didn’t seem to really pose a threat. I think there could have been more destruction, more blood and even more zombies. For 2021 standards the CGI dogs weren’t that impressive, but I did love the RCPD scenes with Chief Irons, they felt exactly like moments from the game. The mansion scenes were executed pretty well though, with Chris fending off all the zombies in the dark and the crazy camera angles, at least this moment felt like hardcore gameplay.

Johannes Roberts’ Resident Evil: Welcome to Raccoon City is ultimately a satisfying rendition of the action- horror franchise, a refreshing departure from the previous movies, and full of easter eggs and RE lore. Although it has its flaws, fans of the original games can at least appreciate Roberts direction as the reboot establishes a new RE universe separate from the games, and tries to remain true to the games roots and mythology. However, very similar to the outcome of the RE3 game remake; Welcome to Raccoon city has a lot to offer but it accelerates the narrative hurting its own potential.

Overall: 6.5

The story moves at a pretty fast pace not really giving viewers a chance to delve into all the dark secrets of Umbrella, or even enough time to focus on developing any of the characters. The reboot is a much better adaptation overall, but still wish it fleshed out more of the story, and the effects could’ve been so much better by todays standards. However, it did deliver as a service to the fans and I hope there will be potential sequels to give room for more character development and appearances of other important characters from the Resident Evil roster. This was certainly a step in the right direction and it definitely brought back the spirit of the franchise! I say give it a shot.

RESIDENT  EVIL:  WELCOME  TO  RACCOON CITY 

Action/Horror November  24,  2021

Check out my interview with the director below!!

Smart Girl – Gotham Geek Girl – Fernando Dagnino Interview

ON SALE November 9 2021

Dagnino debuts his stunning story about a rogue android who has become self-aware and discovers what it means to be alive.

I had the pleasure of checking out an advanced copy and interviewing Fernando Dagnino, the creator and illustrator of Smart Girl the Sci Fi action/ adventure series from Titan Comics. Fernando has drawn for series such as Superman, Wonder Woman, J.L. , Tarzan and the planet of the Apes, Blade Runner, as well as his own creator owned series. Smart Girl the graphic novel series, hardcover hits stores Nov. 9th ! 

In a world of smart cars, smart homes and smart droids, what happens when humans are enslaved by their own creation? SMART GIRL delves into the futuristic world of tech giants, conspiracies, and self- aware androids that are programmed to love, have fears, beliefs and devotions all downloaded into their minds. The beautifully drawn black & white pages along with this intricate story, display the cruel treatment droids suffer and observes human behaviors. Fans of Detroit Become Human and Westworld would definitely be into this series!

TITAN COMICS

In the near future, tech giant Gorgona holds a monopoly on computer-human interfaces known as Schemata. These androids have become ubiquitous with everyday life across the world.

Yuki, un-affectionately called ‘scrappy’ by her owner, is a Smart Girl – an android servant used for everything from security and domestics to carnal pleasure. When she starts to malfunction, she is soon to be replaced and destroyed. But something in her changes, and Yuki doesn’t accept her end, instead, she becomes self-aware…
 
Taking a stand against her abusive master, Yuki goes on the run. Believed to be defective and hostile, she is hunted by Gorgona, and plans to fight back for the only thing that truly matters – her right to life and freedom.

https://titan-comics.com/c/1681-smart-girl/?utm_source=timeline&utm_medium=rss

Creator: Fernando Dagnino 
Publisher: Titan Comics
Hardcover, 208pp, $29.99, £26.99
On sale November 2021
ISBN: 9781787737198

About the Creator: Fernando Dagnino is a Spanish artist who has worked as a comic book illustrator for many publishers, including DC and Marvel. Dagnino worked for The Walt Disney Company’s Imagineers designing an attraction permanently exhibited in Florida. In 2008, Dagnino abandoned the advertising industry to start to work for DC Comics exclusively. That same year he published his first children’s book (Kasandra y la Rebelión de los niños). Dagnino became the regular penciller of the comic Superman with issue #692. He also did the art for the Green Lantern Prequel Special: Sinestro #1. As part of DC Comics’ company-wide 2011 title relaunch, The New 52, Dagnino was made the artist on Resurrection Man. He subsequently took over art duties on Suicide Squad, beginning with issue #9. In 2020, Dagnino was assigned as the artist for Titan’s Blade Runner: Origins comic.

Army of the Dead: A cutting- edge bloody thrill-ride

NETFLIX

Always bet on dead.
Zombies Tigers, Vegas oh MY

*Spoiler free

Zack Snyder’s Army of the Dead is ultimately a gory blast and a fun exciting new take on the action- horror genre. What do you get when you cross Alpha Zombies, Vegas and a multi- million dollar heist ?!

Thanks to Netflix I got to watch an advanced screening of Zack Snyder’s eagerly-anticipated Netflix Film, Army of The Dead. This was my first time back in theaters in a year and a half since covid, and I’m so happy I attended. It was definitely worth the trip. From the vision of  filmmaker Zack Snyder (300, Zack Snyder’s Justice League) comes ARMY OF THE DEAD: a venturous and captivating new spin on the zombie genre with a splash of Oceans Eleven. Gore, comedy, guts, mayhem …& a Zombie Tiger ?!

After a zombie outbreak in Las Vegas, a group of mercenaries take the ultimate gamble by venturing into the quarantine zone for the greatest heist ever.

ARMY OF THE DEAD – (L-R) NORA ARNEZEDER as LILLY, SAMANTHA WIN as CHAMBERS, ANA DE LA REGUERA as CRUZ, DAVE BAUTISTA as SCOTT WARD and OMARI HARDWICK as VANDEROHE (NETFLIX)

Starring Dave Bautista, Ella Purnell, and Omari Hardwick, Army of the Dead is not your typical zombie flick. Zack Snyder, who already has some experience with the undead (Dawn of the Dead) took a big risk bringing to life a horror/heist film. Think the Gentleman meets World War Z ! What a brilliant combo ! The thrilling dark twisted comedy also touches upon pandemics, coping with loss, capitalism, and the fight for human rights. The exciting eye- catching opening credits start off with a brilliant, vibrant and neon Vegas being overridden by an enormous zombie horde, a Zombie Elvis, and zombie exotic dancers as Vegas literally falls apart.

The film takes place a few years after a zombie outbreak that has left Las Vegas in ruins and completely walled off from the rest of the world. We meet Scott Ward (Dave Bautista), a displaced Vegas local, and former zombie war hero who’s now flipping burgers on the outskirts of town and is approached by casino boss Bly Tanaka (Hiroyuki Sanada) with an unexpected offer: 

Break into the zombie-infested quarantine zone to retrieve $200 million sitting in a vault beneath the strip before the city is nuked by the government in 32 hours. With a ticking clock, a notoriously impenetrable vault, and a smarter, faster horde of Alpha zombies closing in, only one thing’s for certain in the greatest heist ever attempted: survivors take all.

Why not?! What’s left to lose? Ward accepts the challenge, and assembles a misfit team of experts for the heist. We see some quality acting from Batista, and really get to see more range from him in his portrayal as Ward and his emotional interactions with his estranged daughter (Ella Purnell).

The film features a fantastic cast of characters all with unique personalities and stand out performances. Snyder nailed the typical trope elements from heist films giving each character a typical skill-set: the standard mechanic, getaway driver (in this case pilot), professional yeggman aka safecracker, a guide, highly trained gun-men, the guy no one trusts, and wait an Influencer ??!!

Courtesy of Netflix

The ragtag team of experts included:

-Maria Cruz (Ana de la Reguera), an ace mechanic and Ward’s old friend
-Vanderohe (Omari Hardwick), a zombie killing machine
-Marianne Peters (Tig Notaro), a cynical helicopter pilot
-Mikey Guzman (Raúl Castillo), a go-for-broke influencer 
-Chambers (Samantha Win), Mikey’s ride-or-die
-Martin (Garret Dillahunt), the casino’s head of security
-A badass warrior known as the Coyote (Nora Arnezeder) 
-Burt Cummings (Theo Rossi), a slimy security guard
-A brilliant German safe cracker named Dieter (Matthias Schweighöfer)

The eccentric team up was badass, ruthless, and definitely memorable. Throughout the film the cast was highly entertaining, had great on screen chemistry and worked really well off of each other. There were some genuine laughs from the audience thanks to some hilarious stand out moments from Matthias Schweighöfer, Omari Hardwick, and Tig Notaro. The humorous banter between tough guy Vanderohe (Omari) and genius Dieter (Matthias) really added a natural comedic tone to the film, and it was not forced at all. It really added depth to their characters and to the whole “heist squad” cliche. These two shared some of the best scenes.

Courtesy of NETFLIX

(Tig Notaro) played another stand-out character, Marianne Peters, the sarcastic and dry humored helicopter pilot, who actually didn’t even have that much screen time. Marianne was definitely a fun addition to the team after Notaro replaced comedian Chris D’Elia’s character after he was fired for reports of sexual misconduct. Instead of having to reshoot all those scenes, Snyder had to recreate every scene shot for shot with Notaro. Despite having this major setback, the CGI was extremely impressive, not even noticing her character was basically plugged in. (Why was a mustache so hard to fix cough cough?)

Replacing Chris D’Elia with Tig Notaro in “Army of the Dead” cost less than creating the film’s zombie tiger.

Some other note-worthy details of the film were all the memorable kills and deaths. There were so many bloody awesome scenes with well-deserved claps from the audience. The movie also features different types of zombies: without getting into any spoilers Army of the Dead has smart alpha zombies that somehow communicate amongst each other, warrior zombies, and hibernating zombies. Props to Snyder trying to give us more than your typical sluggish brainless zombies. He really got to express some creative freedom with this film. 

I am very big on all types of heist films (Heat, The Italian Job, Money Heist, Reservoir Dogs, Snatch, Baby Driver, Ocean’s Eleven etc.); This film does a pretty good job of balancing heist elements while maintaining its zombie action persona. It has plenty of stunts, explosions, blueprints and planning, team work, and heavy artillery. It was cool to see different villains and antagonists, also the Zombie tiger has a good amount of screen time and definitely lives up to expectations.

Courtesy of NetfliX

The only real question viewers have is how could that many zombies possibly be contained and kept to just Vegas. We also don’t know much about the spread aside from getting bitten, or about the cause of the virus outbreak, but the movie also sets up sequels!

Overall: 7/10

Army of the Dead is super enjoyable, not to be taken seriously and an exciting new take on the overdone Zombie craze. Aside from being a comedic horror/ action it actually showed some real human emotion and had some unexpected twists. The score was fantastic and the soundtrack pairs perfectly with every single scene. Definitely a fun time for any zombie fans.

Trailer:

Directed By | Zack Snyder
Story By | Zack Snyder
Written By | Zack Snyder, Shay Hatten, Joby Harold
Produced By | Deborah Snyder, Wesley Coller, Zack Snyder
Cast | Dave Bautista, Ella Purnell, Omari Hardwick, Ana De La Reguera, Theo Rossi, Matthias Schweighöfer, Nora Arnezeder, Hiroyuki Sanada, and Garret Dillahunt, Tig Notaro, Raúl Castillo, Huma S. Qureshi, Samantha Win, Richard Cetrone, Michael Cassidy

#ArmyOfTheDead
@NetflixFilm

Army of the Dead will hit select theaters on Friday, May 14 and Netflix on Friday, May 21.

HARRY POTTER Golden Snitch Music Box and Hogwarts Lamp Unboxing!

HARRY POTTER Golden Snitch Music Box (The Bradford Exchange) ($69.99)

collectible HARRY POTTER™ music box from The Bradford Exchange

HARRY POTTER Golden Snitch Music Box
Officially licensed! Cast-metal music box plays “Hedwig™’s Theme”. Opens to reveal a recreation of Marvolo Gaunt’s ring with Resurrection Stone.

HARRY POTTER Golden Snitch Music Box Opens To Reveal Horcrux

https://bit.ly/3fA5cXZ

Open the Golden Snitch™ to reveal what’s hidden inside…and turn the key to make magic happen! Now, the magic of HARRY POTTER™ and the Wizarding World™ lives on in the HARRY POTTER Golden Snitch Music Box, available from The Bradford Exchange. This officially-licensed HARRY POTTER music box contains a spellbinding surprise – it opens to reveal its Horcrux: a recreation of Marvolo Gaunt’s ring, complete with the coveted Resurrection Stone!

Every inch of this HARRY POTTER collectible music box is handcrafted of cast metal and detailed with a brilliant golden finish to recall the legendary Golden Snitch. The ring within is crafted of golden metal and set with a black faux jewel, recapturing the look of the ring from the HARRY POTTER Wizarding World. Plus, with a gentle turn of the ring, you will hear “Hedwig™’s Theme”. Strong demand is anticipated, so don’t delay. Order now!

This collectible HARRY POTTER™ music box from The Bradford Exchange features:

• Capture the Golden Snitch™ for yourself and discover its spellbinding surprises with the HARRY POTTER™ Golden Snitch Music Box, available only from The Bradford Exchange

• Officially licensed by Warner Bros. Entertainment Inc.

• Handcrafted of cast metal, this HARRY POTTER music box is detailed with a brilliant golden finish to recall the legendary Golden Snitch

• Golden Snitch music box opens on a hinge to reveal its Horcrux: a recreation of Marvolo Gaunt’s ring, complete with Resurrection Stone, crafted of golden metal and set with a black faux jewel

• With a gentle turn of the ring, this HARRY POTTER collectible music box will play “Hedwig™’s Theme” for added enchantment

• Edition limited to 295 casting days, so order now!

• Certificate of Authenticity

• Golden Snitch measures 6″ W; ball measures 2″ in diameter; 15.2 cm W; ball measures 5.1 cm in diameter

HOGWARTS Floor Lamp With Art On All Sides: Choose Your House (The Bradford Exchange) ($159.99)

USs&s◇ $19.99 USAvailable in 4 installments
of $40.00 US

Hogwarts Floor Lamp: Choose Your House!

Officially licensed! 5-foot tall lamp with your choice of HOGWARTS™ House art. Floor switch for easy on/off. 2 FREE light bulbs. Limited edition!

Lamp measures 60″ H; base measures approximately 11-1/2″ square

• Available only from The Bradford Exchange

• Officially licensed

• Choose a house! This five-foot high HOGWARTS floor lamp brings the iconic house colors of HUFFLEPUFF™, RAVENCLAW™, SLYTHERIN™ or GRYFFINDOR™ to life

• Makes a brilliant gift for any HARRY POTTER fan and a delightful addition to your HARRY POTTER decor

• Includes 2 FREE energy-efficient light bulbs for immediate enjoyment

• Edition limited to 295 crafting days, so order now!

• Hand-numbered with matching Certificate of Authenticity

• Lamp measures 60″ H; 152.4 cm H; base measures approximately 11-1/2″ square; 29.2 cm square

https://bit.ly/3l5TiWP

Click Here To Check out My Holiday Gift Guide for more Geeky Gift Ideas this season!!

The chilling tale of Daphne Byrne (Hill House Comics)

By: Gothamgeekgirl

From the horror based DC Comics Black label imprint (Hill House Comics) comes the mysterious and chilling Victorian- era supernatural thriller Daphne Byrne. Set in 19th- century New York, we meet Daphne, a young and curious 14-year old girl who is dealing with the loss of her father and her now grief- stricken mother. This tragic mini- series follows Daphne and her mysterious new demon acquaintance “Brother” as she discovers who she is, while ultimately trying to save her mother from hitting rock bottom. 

Award- winning playwright and TV Writer Laura Marks makes her graphic novel debut as the author of the 6-issue mini- series with fantastically nightmarish artwork by the horror comics legend Kelley Jones. The pair deliver a new and twisted tale that not only intrigues readers but explores early womanhood, personal demons, tragedy, and different ways of grieving all set in the 1800s which adds even more suspense to the tragic tale. 

It’s 1886 in gaslit New York, the dark candle lit scenery and natural lightning adds to the chilling ambiance. Daphne, who felt her father was the only person that really understood her, feels completely helpless and alone after his death. Not only does she have to deal with this loss and the constant bullying at school, but with her mother who has gone off the deep end. Using all her last resources her mother is relentlessly trying to contact the spirit of her dead husband leaving Daphne to take charge.

Courtesy of Hill House Comics

Daphne’s mother is in a very fragile state, now widowed and alone struggling with finances and keeping their estate she begins to see a medium eager to speak with her husband once more. In the 1800’s appearance and title was of most importance. Mrs. Byrne now left without a husband who rumor has it died of faulty circumstances becomes an easy target for a manipulative occult group.

Meanwhile kids at school who already bully Daphne, spread rumors about her father and make rude remarks about her mother not being able to pay their debts. Daphne, feeling more alone than ever and knowing that these mediums are nonsense, begins to feel a strange and supernatural presence who introduces himself as “Brother.” Brother appears as a friend, a guide and pushes Daphne to reach limits she has never thought possible. But is she dreaming? Is she being manipulated? Does she already have these dark abilities or is Brother controlling her? Does he even exist? Does she embrace this new darkness?

Courtesy of Hill House Comics

This series really makes the reader think about human interactions, filling voids and dealing with personal demons. It explores the mind and how easily people can be influenced or manipulated. When people show weakness it can be taken for granted and even the most “helpful” people can be looking out for their own interests at the detriment of others. Marks introduces us to characters such as Mrs. Swarthmore and Mr. Brooke that really expand upon human desires and how such evils already exist without monsters and demons. Even though this is a horror story full of demons and dark ghoulish creatures, are they hallucinations or more a representation of our darkest moments? 

Courtesy of Hill House Comics

Choosing the 19th century for the setting is really the driving force behind this supernatural story. Jones really brings to life Laura Marks’ vision and you really see Marks’ cinematic influence with her background in film. Although the story does a great job in making the reader feel like they are in the 1800’s and features incredible spine-chilling imagery it leaves the reader a bit confused with what’s actually happening with Daphne. It leaves a lot up to the reader. I would’ve liked to see more with her character development and to learn more about her abilities, where did they come from and did she already have these powers inside her all along? Also without giving spoilers why call him “Brother”? Otherwise this is a very fun and unique read, and I would love to see where this story goes and how far Daphne takes her supernatural powers.

Daphne Byrne by Laura Marks, Kelley Jones (Illustrator)
(Contains 6 issues)

For more chilling horror comics check out the Hill House Comics imprint from DC Black Label!

Joe Hill—the mastermind behind N0S4A2 and Locke & Key—has arrived at DC, curating his own cutting-edge horror comics pop-up! Hill House Comics will terrify readers with a smart, subversive and scary lineup of five original limited series. 

https://www.dccomics.com/HillHouseComics