NYCC 24: HBO’s THE PENGUIN: Extended Sneak Peek and Conversations with Colin Farrell, Cast and Creatives

A new family will rise.

THE PENGUIN (MAX)

Thursday morning ‘The Penguin’ star and executive producer, Colin Farrell took the Empire Stage at New York Comic Con for a mid-season discussion by showrunner and fellow EP Lauren LeFranc, with fellow cast and creatives as they debuted the mid-season trailer in addition to two extended sneak peeks for the audience of episode five, while delving deep into the criminal underworld of Gotham City.

The next chapter in The Batman saga, HBO’s acclaimed original limited series THE PENGUIN, from Warner Bros. Television and DC Studios has seen a few incremental rating increases each episode since its September 19th debut.

This thrilling crime drama follows Oswald “Oz” Cobb’s quest for control in Gotham City. With the city in peril following the seawall’s collapse, Oz (Oscar® nominee Colin Farrell) seeks to fill the power vacuum left by the death of Carmine Falcone and finally give his mother Francis (Deirdre O’Connell) the life he’s always promised. But first, Oz must confront his enemies, including Carmine’s children, Sofia Falcone (Cristin Milioti) and Alberto Falcone (Michael Zegen); the Maroni family, led by their imprisoned patriarch, Salvatore Maroni (Clancy Brown); and Oz’s own demoralizing reputation as “the Penguin.”

Colin Farrell (Oz Cobb) aka “The Penguin”

Panelists included Colin Farrell (Oz Cobb aka “The Penguin” and Executive Producer), Cristin Milioti (Sofia Falcone), Rhenzy Feliz (Victor Aguilar), Deirdre O’Connell (Francis Cobb), Michael Kelly (Johnny Viti), Clancy Brown (Sal Maroni), Lauren LeFranc (Showrunner and Executive Producer) and Mike Marino (Prosthetic Makeup Designer). 

The panel opened with its first clip, where Oz Cobb (Farrell) and Victor (Feliz) shared a special moment where they discussed their relationship and loyalty, meanwhile Oz’s car burned in the background. Oz tells Victor “It’s you and me now, kid until the end,” before making a surprise visit to rough up Sal Maroni’s son and paying him a visit in prison.

During the first half of the panel discussion Farrell, LeFranc and Mike Marino elaborated on their first introductions to the character and refining the comic book character, and when LeFranc got the call to do the limited series which including previewing 40 minutes of Matt Reeves’ The Batman and transitioning from film to television.

Lauren expressed how she really dove into the character when she read thescripts and when Matt showed her the first 40 minutes. She was inspired by the psychology of where Oz came from and what makes him tick. She also wanted to honor Matt and the comics that came before, while keeping a similar tone in the transition from film to tv and how the character has evolved. 

Oz is a funny, weird and unpredictable guy and the show expands that, in the film Oz had light screen time and served as comic relief, it didn’t really get to dig into his motivations or backstory so now the show gets to do that.

Farrell called playing the character “a dream come true…because I’m still 48 going on seven sometimes. So it’s not lost on me that I was a seven-year old kid sitting on a carpet in Dublin in my parents’ house watching Adam West and all the pow! Kerrang! and an all that stuff.”

The incredibly talented Prosthetic Makeup Designer, Mike Marino talked about his inspiration for movie make-up magic and the first film he saw that blew him away was Elephant Man by David Finch, and not knowing at the time about the extensive makeup it required. Later on in life he really appreciated the craft and learned it wasn’t real but actually makeup, and this was back in 1980. He went on to say Michael Jackson’s thriller is the greatest thing ever, and how Artist Rick Baker, known for Planet of the Apes (2001), Men in Black, and The Wolfman (2010) really  got him into makeup effects. Baker who also worked on the Nutty Professor, later became close friends with Marino, congratulating him on The Batman saying it’s the best makeup ever done and that he really loved the show, bringing things full circle for Marino.

During the panel, Marino explained the behind-the-scenes work, and how “it was a great opportunity to explore his make-up, his character and see what we could refine from the film. Technical pieces, changing the design for the better. We were filming in so many lighting environments, he’s in the make-up much longer, so it’s a huge maintenance to keep this magic trick together for that long.”

Not only was Farrell’s face being completely transformed, but he was also wearing the suit for longer periods of time, building his accent with the dialect coach and getting his walk down-packed. 

Lauren talks about really getting into the strange little moments and details of developing the character of Oz and how she really enjoys working on the scripts for the show. It’s fun to write.. challenging dark thrilling” and her experience writing and working on his voice, his humor, and how cutting and terrible he could be, really shaping what living as Oz on the page would look like.

She goes on to say Farrell is the “most incredible actor to take on and embody Oz,” along with Mike’s makeup with Colin underneath, working with such an “incredible, amazing talented genuine, and lovely. can’t ask for a better cast.”  She thanked her amazing team of casting directors and writers bringing these characters to life was truly amazing, and nice to see the whole crew environment band together on site despite challenges like the strike, and cold weather.

For a production that was interrupted by WGA and SAG-AFTRA strikes, Farrell also credited the team of people around him who helped bring the show and titular character to life. “So much of the work I really did feel was done for me,” Colin said crediting artist Mike Marino in particular with a character design that turned out to be far more detailed and physically transforming then he initially thought. Farrell said he went into the project expecting “a bit of a nose prosthetic or something” and instead was “confronted with the fleshy, imposing figure at the center of this dark telling of The Penguin’s origin story.”

Cristin Milioti (Sofia Falcone), Rhenzy Feliz (Victor Aguilar), Deirdre O’Connell (Francis Cobb), Michael Kelly (Johnny Viti),and Clancy Brown (Sal Maroni) join the stage after a second clip is revealed. 

Sofia Falcone (Milioti)

The second clip, Sofia Falcone (Milioti) has Johnny Viti (Kelly) chained up in a cold, chambered room where she tortures him with ice cold water while he refuses to give up information. She asks him he if he wants to die here in the dark, and Johnny begins to reveal some truths about her parents, and her mothers plans for leaving Carmine. Viti pleads to Sofia that he can help her gain the next respect she needs to move forward as a criminal leader. 

Michael Kelly tells fans that his scene with Sophia scared the hell out of him as an actor. Milioti describes Sofia as a dark and complicated character, and how she’s been wanting to do something challenging like this [character] since was little, which sounds crazy.” She says that playing Sofia, whose arc goes from mob daughter to a queenpin is the “heart of episode four,” and it was “a dream,” not just the opportunity to portray a villain in the Batman universe, but for the depth of her story. “It’s so rare that you’re given an opportunity to show that much of someone’s history, and especially to show why someone is driven to madness.”

The Penguin (MAX)

Milioti explains how Sofia Falcone was betrayed by her own family and sent to Arkham, her father groomed her to be next in line, and she was born to take over the family. She says it would’ve happened the same way, of course the circumstances are very different, but she would’ve led regardless. Her story is loaded, but she’s good at this.

The clip also showed what’s going on with Oz, as he is seen rallying his troops, planning the next move against the Maroni’s. He tasks Victor with protecting with mother, but when the young protege gets to Mrs. Cobb’s house, he finds a mess and she appears missing. He finds her cooped up in the bedroom and she mistakes him for Oz. He reveals the fate of the Falcone family. 

The series is not only an origin story for Oz, but essentially an origin story for everyone. We don’t just get a deep look into the lives of “Ma” and Oz’s relationship but also the lives of Vick and Sophia. Rhenzy Feliz who is spectacular as Victor Aguilar, talks about how Victor is one of the few innocent people we see. He goes down this dangerous path and returns to Oz when he came back to save his life. Oz tells him the life that Victor is headed down doesn’t offer much success, and now things are more exciting. Victor lost his family and gets to be a part of something big, he doesn’t have money, and he liked something in Oz, especially his confidence.

Rhenzy Feliz as Victor Aguilar

Ultimately he made the decision to stay, Renzy says Victor doesn’t necessarily look at Oz as family.. hasn’t given “so much thought to it” but “starting to understand the opportunity” and coming into it the relationship w/ Oz as “a mentor figure, something familiar, a mentorship.” 

Deirdre O’Connell (Francis Cobb) talked about her toxic relationship with Oz. That Mrs. Cobb is proud of what he’s doing some of the time, and how he has a tendency of being weak and being invisible, and that she turns his dark nature into a weapon. Colin jokes about feeling triggered by his on-screen mother.

Deirdre O’Connell (Francis Cobb)

Colin also chimes in about his thoughts on Oz’s and Victors friendship. Oz trust Vic with the life of his mother, he’s a kindred spirit, the first time they met he was a danger a threat but he eventually sees Vic is just a kid falling apart, notices his stutter and sees something familiar. Misery loves company, Oz is also lost a bit more than he realizes. He also sees Vic as someone he can push around but gets the sense of a loner and over time grows affection. Victor represents a “conscious.. the purest representation of innocence, a lovely character point Lauren designed.”

Throughout the panel, the cast and creative team discussed previous iterations of Batman characters, including The Penguin. Farrell acknowledged Adam West, Danny DeVito and the expansive worlds of Christopher Nolan and Tim Burton. One of the most interesting takeaways from the panel was when LeFranc was asked what inspired her take on “The Hangman” Sofia Falcone. Milioti’s stellar Emmy-worthy performance especially in Episode 4 where we learned her full backstory, has received high praise.

Sophia wants to win, she wants power and believes she deserves it and will make-up for what happened to her. Milioti says Sophia’s pain has no where to go. Show-runner Lauren LeFranc explained her vision of Sofia’s origin, how thinking about what would make someone so innocent become this way. 

 “I was inspired by Rosemary Kennedy’s story. She was deemed the forgotten daughter. In her 20’s, her father put her in an institution and she was given a lobotomy. We don’t know what her story was,” she told the audience. “Thinking like a character like Sofia and bringing her into the world… as a character I wish I had when I was younger, I wanted to relate her to something that felt very real.” – Lauren LeFranc

Cristin Milioti excitedly expresses how appreciative she is “getting to play that rare given opportunity to show someone driven to madness and understand what she does.”

This whole world came from Lauren and an amazing team of writers. They talk about the scene where Sophia grows bolder is not afraid to hide her scars anymore, and the work of Martha Melendez (department head of makeup) and Helen Wong (head of costume design).

“The Penguin” is executive produced by showrunner Lauren LeFranc along with Matt Reeves, Dylan Clark, Farrell, director Craig Zobel and Bill Carraro and Daniel Pipski.

The panel ended with a treat to a special mid-season trailer.

Stream a new episode of the HBO Original Limited Series #ThePenguin this Sunday at 9 pm ET on Max.

Discover the best entertainment for every mood. Introducing Max – the one to watch. #WarnerBrosDiscovery #streamonmax #theonetowatch

Interview: PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE by Karama Horne

Find out if you have what it takes to become a member of the Dora Milaje and bring honor to your tribe!

Courtesy of Marvel, I got to preview the upcoming book PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE by Karama Horne. Catch us discuss her process, inspirations, the Wakandan alphabet, and the intricacies of Wakandan culture. There is a reason the Dora Milaje are often referred to as “living weapons.”

Now publishing September 20, 2022, PROTECTORS OF WAKANDA: A HISTORY AND TRAINING MANUAL OF THE DORA MILAJE takes you inside Wakanda’s elite, all-female guard—to learn what it takes to join their ranks. In this manual you will learn all about Wakandan history, Dora training, weapons and attire.

To master your evaluation you must master your lessons, you must adhere to the five tenets of the Dora Milaje:

Tradition
Honor
Strength
Courage
Compassion

In this exclusive, in-world manual, you’ll step inside this elite society of women warriors and discover what it’s like to train as member of the Dora Milaje. Recruited from across all tribes, the selected initiates undergo intense training, both physical and mental.

Passed down from elder Dora to initiates, with entries by General Okoye, Princess Shuri, and Queen Mother Ramonda, Protectors of Wakanda reveals not only the history and foundation of the unit, but collects the strategy, weapons, and combat training as well as the code of honor and nuances of service required to protect the Black Panther and the nation of Wakanda.

Added commentary and guidance from notable warriors, such as Mistress Zola, Ayo, Aneka and M’yra, fill the margins of this treasured text.

“The history of Wakanda is a marriage of tradition and technology.” Vibranium is the greatest source of power – used to create weapons and advanced tools for agriculture. The very rare and valuable type of vibranium could only be found and mined from Wakanda. Learn all about its rich history from characters such as Queen Romonda and Princess Shuri. (See preview pages below)

There were many methods the warriors used to prepare for battle, including meditation rituals.
“Rest and healing are as important as strength and fighting.” I not only loved learning about the Warrior practices for battles and their choice of weapons but how they mentally prepare themselves and recover.

Learn about Queen Nehanda, the founder of the Dora Milaje and how she chooses her initiates: “the Adorned Ones” aka the Dora Milaje. The manual breaks down the use of weapons, and the different attire based on levels of training. Cosplayers will love seeing all the different costume breakdowns. Loved chatting with Karama about her inspirations and which comics and cultures she drew inspiration from in writing this book. We also talk about which artist she got to work with on this manual, and the importance in telling these kind of stories.

PREORDER NOW: (contact your local book store)

Protectors of Wakanda: A History and Training Manual for the Dora Milaje cover art by Ashley A. Woods

*Photos courtesy of Marvel/ Epic ink

Karama Horne (@theblerdgurl”) is a writer, podcaster, host and critic parked at the intersection of geekdom and diversity. Founder of theblerdgurl® brand, Karama is recognized throughout genre entertainment as an authority on geekdom and inclusion. She has been seen on red carpets, hosting comic con panels from New York to San Diego and has been featured in USA Today, The New York Times, The Guardian, The San Francisco Chronicle, and Black Enterprise. She curated the sequential art exhibit “Artist’s Experience: From Brotherman to Batman” Karama also has bylines at Marvel.com, Rotten Tomatoes, NERDIST, SYFYWIRE, and The Wrap. Her first novel, set in the world of the Black Panther Universe, “Protectors of Wakanda: A History and Training Manual for the Dora Milaje”, hits bookshelves Fall of 2022

Is “The Batman” the best Batman film or the most authentic film to the Batman mythos?

*Contains spoilers 

The Batman is a gritty psychological crime thriller featuring the most Gotham-esqe Gotham we’ve seen yet.

Matt Reeves wowed audiences with his grounded interpretation of the caped crusader. The film was gritty, suspenseful and incredibly shot, and possibly one of the best live-action stories we’ve seen yet. The film does a great job displaying Bruce’s detective skills as the film is shot like a gruesome crime mystery reminiscent of the film Seven. The Batman perfectly captures the essence of Gotham and its overall dark corruption. The film puts a heavier emphasis on the criminal underworld and its connections to the elite. This is where the film perfectly encapsulates the world of Gotham. 

The film stars Robert Pattinson as a young inexperienced Bruce Wayne, who ventures into Gotham City’s underworld to track down a sadistic killer leaving behind cryptic clues and a trail of bodies. Batman partners with the most trustworthy cop Lt. Jim Gordon (Jeffrey Wright) and an unlikely ally Selina Kyle (Zoë Kravitz), to gather evidence and unmask the culprit while bringing justice to the corrupt streets plaguing Gotham. The entire cast is phenomenal, with standout performances by villains The Penguin (Colin Farrell) and the main antagonist Riddler (Paul Dano). Zoe oozes Selina Kyle, and Robert Pattinson proves to fans that he is worthy of the cowl. But is this movie the best iteration of Batman?

The Batman hands down features the best story-telling we’ve seen yet in a live-action Batman film. It is the best contained Gotham story as threats were just limited to Gotham City with Batman earning his rank as Gotham’s protector. This isn’t an origin story, or even an established Batman yet, as it takes place only two years into Bruce donning the cape. It is heavily focused on Bruce’s early career as the Bat as he is still learning who he is inside and outside of the cape. The film draws inspiration from numerous Batman comics and media, as you can tell Reeves studied his source material. The movie highlights a young and unrefined Batman, similar to the PS3 game Arkham Origins as it takes place before the rise of Gotham City’s most dangerous criminals and it centers on his early days as a crime fighter, meeting many key characters on his path to becoming the Dark Knight. 

Pattinson gave a stellar performance as an unhinged and inexperienced Batman. His Batman was gritty, real and sorrowful. He was full of rage, and always ready to let loose, but what ultimately stood out was his fear. We saw real fear on his face when he was hesitant to jump off the Police Department roof. This is a version of Batman we haven’t really seen on screen. He also injured himself numerous times and got manhandled throughout the film. One can argue there was no distinction between his portrayal of Bruce and Batman, but isn’t that what made this film work? He hasn’t come into his full Bruce Wayne “persona” yet either. We could potentially see this addressed later as his character develops. In a sequel we may see a much more refined, clean-cut Philanthropist Bruce Wayne. 

While the movie executed his inexperience fairly well, it didn’t explain how he got where he is now. We don’t need the typical alleyway murder or falling into a cave of bats but it did skip around important details. Alfred hinted at training Bruce, but has he had any professional training yet? If not, how did he pull the infamous ninja disappearing act? He also isn’t fully equipped with Bat-Tech yet, but he did have some very impressive high-level tech like the contacts camera. This brings up so many questions. What kind of professional training has he had yet? There was no mention of the League of Assassins (could this be part of a sequel). Did Alfred train Bruce so far, does he know Lucius Fox? How did he build these gadgets and the Batmobile? How did he conquer his fear of Bats? 

On to the CAT. Zoe Kravitz was perfectly cast as the whip-carrying burglar, adversary/ lover of Batman. Her mannerisms were precisely spot-on and she exudes the confidence of Selina/Catwoman. She was adventurous, sexy, dark and mysterious. The movie eluded to her abandonment issues and troubled past with an interesting backstory of her mother’s murder by her father, who is later revealed to be the infamous Crime boss Carmine Falcone (John Turturro).

While Kravitz nailed her role as the infamous Selina Kyle, the Bat/Cat love story was a bit underdeveloped. Their connection was a bit rushed as the film established their romance too quickly. We get Selina and Bruce are two broken people but their connection felt forced before establishing real chemistry. There should have been only one kiss and the prolonged going separate ways could’ve been shortened to emphasize a more effective goodbye. 

Overall, Selina Kyle had a much bigger part in the film than necessary as the movie didn’t elude enough to her mystery and crime- ridden lifestyle. She also could have been given better fight scenes as the jump cuts were poorly done which we’ll get more into effects later.

This time around, we didn’t get enough Alfred, (Andy Serkis). Hopefully we’ll see more of him in future sequels and learn more about his history with the circus and his training with Bruce. It seems as if they will have a much stronger relationship going forward after his tragic close call with death. However, we did get alot of Gordon/ Bat action. This duo worked so flawlessly together and Jeffrey Wright gave a noteworthy performance as Batman’s very important accomplice Jim Gordon as they try to take down the masked killer terrorizing Gotham.

Now onto the villains, who were magnificent, terrifying and possibly the best part of this film. The Riddler AKA Enigma not only terrorizes Gotham, but he forces Batman to face unsettling truths about his parents Thomas and Martha Wayne. The Riddler isn’t typically one of Batman’s top adversaries, and is open to interpretation. We have seen different versions of Edward Nygma, as moviegoers can recall Jim Carrey’s manic yet comedic version. Dano plays The Riddler in a much more serious manner, as a serial killer comparable to the Jigsaw Killer (SAW) , The Zodiac killer, or John Doe (Se7en) as he captures his victims in elaborate death traps. This interpretation is more familiar to fans of the video-game TellTale Games Batman: The Enemy Within, with its very dark depiction and humorless Edward Nygma. His suit in the movie also has a likeness to the henchman in the game. Riddler was one of the first “supervillains terrorizing” Gotham City and the central antagonist. Dano’s Riddler was sadistic, arrogant, and believed himself to be superior to his victims. He toyed with Batman and his pursuers leaving elaborate clues and puzzles at his crimes. He was willing to kill, and would acknowledge those who could successfully match his intellect. The USB thumb drive was pure genius and a perfect example of The Riddlers sordid games.

THE BATMAN Copyright: © 2021 Warner Bros. Entertainment Inc. All Rights Reserved.

Another outstanding performance was Colin Farrell’s performance as Ozwald/ The Penguin. Farrell was almost unrecognizable as the crime boss slimely making his way to the top of Gotham’s crime syndicate. His voice, demeanor, perfectly captured the sleaziness of Ozwald. Can’t wait to see more of him, with word of a potential TV series coming to Max.

While the story, the cast and the cinematography were astounding. There were a couple gripes I had about the film. I mentioned the jump cuts. Some of the fight scenes could have been executed better, as some of the characters in a flash would be in a different position taking away from the fight making it less believable. This isn’t on the cast but the way the scenes were essentially shot. The musical score was outstanding, but a bit distracting at moments where it took away from the scene. This caused some missed emotional moments, such as Batman essentially electrocuting himself to save those drowning below. Though the music was integral it took you out of important scenes. I didn’t feel the connection when Bruce was saving the people in the water, this scene should’ve had audio without music. Another missed moment was the joker Arkham scene. This entire scene was unnecessary and added to an already long run-time. Aside from some missed emotional moments this movie is spectacular. 

Overall, Matt Reeves and cinematographer Greig Fraser have given fans the best live-adaptation of Gotham City we’ve seen yet and a fantastic fan service to the world’s greatest detective. Gotham City plays a key role in The Batman as he not only lurks in the shadows, but its city is full of evil, the downtrodden and the oppressed. The Batman may be an even more realistic take than the stellar The Dark Knight Trilogy, so fans are curious to see how they will handle future Batman’s rogues gallery. Pattinson may or may not be your favorite to put on the cowl, but it’s definitely a great Batman film. By the end of the movie we see his evolution as he learns he can’t just be “Vengeance” and feared by criminals, but that he has to be a beacon of hope for the people of Gotham.

Overall: 8.5/ 10

Stunning Cinematography, Stellar cast
Dark, suspenseful and cunning 
Best live-action depiction of Gotham City
Great introduction to 2nd Year Batman

Also check out my joint Video review with Big Gold Belt & The Nerd Blast!

Release date: March 4, 2022 (USA)

Smart Girl – Gotham Geek Girl – Fernando Dagnino Interview

ON SALE November 9 2021

Dagnino debuts his stunning story about a rogue android who has become self-aware and discovers what it means to be alive.

I had the pleasure of checking out an advanced copy and interviewing Fernando Dagnino, the creator and illustrator of Smart Girl the Sci Fi action/ adventure series from Titan Comics. Fernando has drawn for series such as Superman, Wonder Woman, J.L. , Tarzan and the planet of the Apes, Blade Runner, as well as his own creator owned series. Smart Girl the graphic novel series, hardcover hits stores Nov. 9th ! 

In a world of smart cars, smart homes and smart droids, what happens when humans are enslaved by their own creation? SMART GIRL delves into the futuristic world of tech giants, conspiracies, and self- aware androids that are programmed to love, have fears, beliefs and devotions all downloaded into their minds. The beautifully drawn black & white pages along with this intricate story, display the cruel treatment droids suffer and observes human behaviors. Fans of Detroit Become Human and Westworld would definitely be into this series!

TITAN COMICS

In the near future, tech giant Gorgona holds a monopoly on computer-human interfaces known as Schemata. These androids have become ubiquitous with everyday life across the world.

Yuki, un-affectionately called ‘scrappy’ by her owner, is a Smart Girl – an android servant used for everything from security and domestics to carnal pleasure. When she starts to malfunction, she is soon to be replaced and destroyed. But something in her changes, and Yuki doesn’t accept her end, instead, she becomes self-aware…
 
Taking a stand against her abusive master, Yuki goes on the run. Believed to be defective and hostile, she is hunted by Gorgona, and plans to fight back for the only thing that truly matters – her right to life and freedom.

https://titan-comics.com/c/1681-smart-girl/?utm_source=timeline&utm_medium=rss

Creator: Fernando Dagnino 
Publisher: Titan Comics
Hardcover, 208pp, $29.99, £26.99
On sale November 2021
ISBN: 9781787737198

About the Creator: Fernando Dagnino is a Spanish artist who has worked as a comic book illustrator for many publishers, including DC and Marvel. Dagnino worked for The Walt Disney Company’s Imagineers designing an attraction permanently exhibited in Florida. In 2008, Dagnino abandoned the advertising industry to start to work for DC Comics exclusively. That same year he published his first children’s book (Kasandra y la Rebelión de los niños). Dagnino became the regular penciller of the comic Superman with issue #692. He also did the art for the Green Lantern Prequel Special: Sinestro #1. As part of DC Comics’ company-wide 2011 title relaunch, The New 52, Dagnino was made the artist on Resurrection Man. He subsequently took over art duties on Suicide Squad, beginning with issue #9. In 2020, Dagnino was assigned as the artist for Titan’s Blade Runner: Origins comic.

The chilling tale of Daphne Byrne (Hill House Comics)

By: Gothamgeekgirl

From the horror based DC Comics Black label imprint (Hill House Comics) comes the mysterious and chilling Victorian- era supernatural thriller Daphne Byrne. Set in 19th- century New York, we meet Daphne, a young and curious 14-year old girl who is dealing with the loss of her father and her now grief- stricken mother. This tragic mini- series follows Daphne and her mysterious new demon acquaintance “Brother” as she discovers who she is, while ultimately trying to save her mother from hitting rock bottom. 

Award- winning playwright and TV Writer Laura Marks makes her graphic novel debut as the author of the 6-issue mini- series with fantastically nightmarish artwork by the horror comics legend Kelley Jones. The pair deliver a new and twisted tale that not only intrigues readers but explores early womanhood, personal demons, tragedy, and different ways of grieving all set in the 1800s which adds even more suspense to the tragic tale. 

It’s 1886 in gaslit New York, the dark candle lit scenery and natural lightning adds to the chilling ambiance. Daphne, who felt her father was the only person that really understood her, feels completely helpless and alone after his death. Not only does she have to deal with this loss and the constant bullying at school, but with her mother who has gone off the deep end. Using all her last resources her mother is relentlessly trying to contact the spirit of her dead husband leaving Daphne to take charge.

Courtesy of Hill House Comics

Daphne’s mother is in a very fragile state, now widowed and alone struggling with finances and keeping their estate she begins to see a medium eager to speak with her husband once more. In the 1800’s appearance and title was of most importance. Mrs. Byrne now left without a husband who rumor has it died of faulty circumstances becomes an easy target for a manipulative occult group.

Meanwhile kids at school who already bully Daphne, spread rumors about her father and make rude remarks about her mother not being able to pay their debts. Daphne, feeling more alone than ever and knowing that these mediums are nonsense, begins to feel a strange and supernatural presence who introduces himself as “Brother.” Brother appears as a friend, a guide and pushes Daphne to reach limits she has never thought possible. But is she dreaming? Is she being manipulated? Does she already have these dark abilities or is Brother controlling her? Does he even exist? Does she embrace this new darkness?

Courtesy of Hill House Comics

This series really makes the reader think about human interactions, filling voids and dealing with personal demons. It explores the mind and how easily people can be influenced or manipulated. When people show weakness it can be taken for granted and even the most “helpful” people can be looking out for their own interests at the detriment of others. Marks introduces us to characters such as Mrs. Swarthmore and Mr. Brooke that really expand upon human desires and how such evils already exist without monsters and demons. Even though this is a horror story full of demons and dark ghoulish creatures, are they hallucinations or more a representation of our darkest moments? 

Courtesy of Hill House Comics

Choosing the 19th century for the setting is really the driving force behind this supernatural story. Jones really brings to life Laura Marks’ vision and you really see Marks’ cinematic influence with her background in film. Although the story does a great job in making the reader feel like they are in the 1800’s and features incredible spine-chilling imagery it leaves the reader a bit confused with what’s actually happening with Daphne. It leaves a lot up to the reader. I would’ve liked to see more with her character development and to learn more about her abilities, where did they come from and did she already have these powers inside her all along? Also without giving spoilers why call him “Brother”? Otherwise this is a very fun and unique read, and I would love to see where this story goes and how far Daphne takes her supernatural powers.

Daphne Byrne by Laura Marks, Kelley Jones (Illustrator)
(Contains 6 issues)

For more chilling horror comics check out the Hill House Comics imprint from DC Black Label!

Joe Hill—the mastermind behind N0S4A2 and Locke & Key—has arrived at DC, curating his own cutting-edge horror comics pop-up! Hill House Comics will terrify readers with a smart, subversive and scary lineup of five original limited series. 

https://www.dccomics.com/HillHouseComics

Young Justice: Outsiders Prequel Comic Book

By Sean Tucker

Hey O & G readers. DC Comics has just released the official tie-in story comic book for Young Justice: Outsiders. Created exclusively for DC UNIVERSE, two 10-page chapters of a Young Justice: Outsiders prequel comic book are available now on DC UNIVERSE. The prequel chapters bridge the gap between the second and third seasons of the show and are written by series producer Greg Weisman with art by Christopher Jones. They are being released today and tomorrow January 2 & 3 leading up to the series debut on January 4. Young Justice: Outsiders is produced by Warner Bros. Animation. Brandon Vietti (Batman: Under the Red Hood, Superman Doomsday) and Greg Weisman (Star Wars Rebels, Gargoyles) serve as producers.  Sam Register (Teen Titans Go!) is executive producer.

Don’t forget to tune in on January 4 and get a subscription at DCUniverse

Black Optioned For The Big screen

Kwanza Osajyefo, Tim Smith 3, and Jamal Igle's creator-owned title Black has been optioned for film by Studio 8, according to Deadline. Recently published by Black Mask Studios after a successful Kickstarter campaign, Black Mask concerns a world where only black people possess superpowers.

Studio 8's Jon Silk will produce the film, alonside Osajyefo, Smith, and Black Mask's Matt Pizzolo.

No further details or projected release date for Black were reported.

INFO ON THE COMIC.

Last February A new series titled Black explores the science fiction superhero paradigm and delves headlong into issues of race and also simply being an everyday person. Created by former DC editor Kwanza Osajyefo and artist/designer Tim Smith III, Black will be a six-issue series beginning later this year illustrated by Jamal Igle with covers by Khary Randolph.

Lenni Reviews: "Batman The Dark Knight: Master Race" by Frank Miller, Brian Azzarello, Andy Kubert, Klaus Jansen, and Brad Anderson

(Image Source)

*This comic was given to me in exchange for an honest review and is rated mature for violence

This collection continues Frank Miller's Dark Knight saga with Batman dead after the defeat of Lex Luthor. Superman is on ice and Wonder Woman has returned to Themyscira. But when a cult of insane Kryptonians lead by Quar attack the Earth and demand humanity worship them as gods, who will rise up and stop them?

This is set in a not far future where our heroes have children. Frank Miller's signature gritty, dark, and scratchy style is in full glory and perfectly sets the tone for what is a rather dismal look at the future of the heroes we know and love.

The writing and art are expertly done and I love the nostalgic feeling the art gives me I get since I read Dark Knight years ago. There are mini-comics, which are interesting supplements to the main story but aren't necessary and I found myself skipping them on my first read through so I could get back to the main plot.

There are a few confusing character motivations, I'm not really happy with the Wonder Woman here and if you have to SAY a costume is too colorful for crime fighting, perhaps it should have been designed better in the first place but, I digress...

Compelling, entertaining, but depressing, I give this a 4 out of 5 since it was a downer. A great way to end this series, though. The release date for this book is September 19th, 2017.

CLOAK AND DAGGER TV SERIES CAST THE LEADS

Freeform's Marvel TV series Cloak & Dagger has cast its leads, both former Disney Channel stars. Olivia Holt will play Tandy Bowen, A.K.A. Dagger, who has the power to throw bolts of light, while Aubrey Joseph will play Tyrone Johnson, who has the power to maipulate darkness.

Cloak & Dagger has been in the works for almost five years, according to the report, and will center on the romance between Tyrone and Tandy.

“The characters of Tandy and Tyrone have always stood out to me ever since I first met them in the pages of Marvel comics when I was a boy," explained showrunner Joe Pokaski. "When  Olivia and Aubrey read for the roles, these characters leapt off the page. We’re so excited to see what these talented young actors bring to the Marvel Universe."

Marvel also released official descriptions of the characters. It describes Tandy as follows: "Once a privileged little girl, Tandy Bowen watched as her family was destroyed by a disastrous storm that uprooted her life. Now in her late teens, an unexpected encounter with a boy named Tyrone sparks a life changing event."

Meanwhile, Tyrone is described as such: "Young Tyrone Johnson wanted nothing more than to prove he was fearless.  But when everything he held close was taken away, life taught Tyrone to be afraid.  Now older and more sheltered, Tyrone closes himself off. But when he meets a girl named Tandy his life changes Forever."

No projected premiere date has been announced for Cloak & Dagger.

Lenni Reviews: Lumberjanes: Beware the Kitten Holy by Nichole Stevenson and Grace Ellis

                                                                          (Image Source)

In this graphic novel by Noelle Stevenson and Grace Ellis and illustrated by Brooke Allen; April, Jo, Mal, Molly and Ripley are attending camp ‘Miss Quinzella Thiskwin Penniquiqul Thistle Crumpet’s Camp for Hardcore Lady-Types (and that will be the last time I type that…) and have all promised each other they will have the most awesome summer ever. Luckily for these Lumberjanes scouts, there are talking three-eyed foxes, yetis, tombs to explore, and magical weapons to make sure they never have a chance to get bored.

Simply put, this comic is awesome. It’s Rat Queens for kids (if you haven’t read Rat Queens, GO DO IT). Each girl has a specific talent to add to the group, completely different races and body types (major kudos for that), and smart puzzles where each girl takes turns solving. The art is perfect for these wacky (yet thrilling) adventures. You can get all the fun of super-deformed expressions without it overtly being anime (I know some people who don’t like that style). It is also a story that demands to be told in full color and I’m grateful for it. Maarta Laiho did a fantastic job with the coloring.

To sum up, this comic is sweet, funny, empowering, and just darn fun! I freely admit to reading it several times before I begrudgingly handed it over to my kid (who is 8 and this book is recommended for 5 and up). We are both ready for volume 2!