"Clive Davis: The Soundtrack of Our Lives" to open the Tribeca Film Festival

The Tribeca Film Festival, presented by AT&T, will open the 16th edition with the world premiere of the feature length documentary Clive Davis: The Soundtrack of Our Lives at Radio City Music Hall on Wednesday, April 19, 2017. The premiere will be followed by a special concert featuring performances by Aretha Franklin, Jennifer Hudson, Earth, Wind & Fire, and more, taking opening night beyond the screen to honor the legendary music executive and producer. The Tribeca Film Festival runs April 19 to April 30.

 Based on Davis’ 2013 bestselling autobiography, the film chronicles the historic influence of “The Man with the Golden Ears,” who rose from humble beginnings, and in a compelling and riveting journey, became one of the music industry’s most iconic figures. Directed by Chris Perkel, the film is produced by Michael Bernstein of Scott Free Productions, with Ridley Scott and Mary Lisio executive producing alongside IM Global’s Stuart Ford, David Schulhof, and Deborah Zipser. Leading independent film and television studio IM Global provided financing for the film. 

 “Clive Davis: The Soundtrack of Our Lives is a fascinating exploration of his remarkable story and the impact that a great producer can have on artists and music,” said Jane Rosenthal, Co-Founder and Executive Chair of the Tribeca Film Festival. “We are excited to have this powerful film premiere on our opening night.”

“The Tribeca Film Festival has a wonderful tradition of artists supporting artists, so honoring Clive Davis and his unwavering commitment to music and creativity is the perfect way to open our 16th annual festival,” said Tribeca’s Paula Weinstein. “With special live performances by some of the most talented artists of our time, it will be an unforgettable night to celebrate the arts and Clive.”

“Directing this film provided a wonderful challenge because Clive Davis stands at the center of a culture-defining array of talent that has shaped the last half century of contemporary music. His is an inspiring story that's sure to leave you with a smile on your face, a tug at your heart and a playlist of hits forever stuck in your head,” said director Chris Perkel.

The film is an inspiring story of courage, resilience, talent, and an unwavering commitment to excellence. These qualities drove Davis - a child of early 20th Century working-class Brooklyn who lost both parents while a teenager - to full academic scholarships to NYU and Harvard Law School and a brief but impactful stint as a white-shoe lawyer.  His unrelenting drive to be the best and a twist of fate led Davis to assume the presidency of Columbia Records at just 35 years of age. It was only after the discovery of Janis Joplin at the Monterey Pop Festival, and Chicago, Blood Sweat & Tears, Santana and Aerosmith shortly thereafter, that it became dramatically evident that he had a previously unexplored natural gift that would command a career that has created the soundtrack for three generations of American culture.

The film examines how Davis rocketed to the top of the bare-knuckles music industry,

repeatedly building major record labels (Columbia, Arista, J), at times becoming the subject of great controversy while overcoming enormous professional and personal challenges and tragedies. 

Davis has signed, influenced and driven the careers of many of the most important music artists of the 20th and 21stCenturies.  In addition to those already mentioned, these include: Simon & Garfunkel, Bruce Springsteen, Earth Wind & Fire, Billy Joel, Barry Manilow, Patti Smith, The Kinks, The Grateful Dead, Dionne Warwick, Aretha Franklin, Alicia Keys, Jennifer Hudson, Rod Stewart, Sean “Puffy” Combs, and, of course, Whitney Houston, whose explosive professional career is dramatically captured in a never-before-told story that will move and enthrall audiences. The Soundtrack of Our Lives features interviews with many of these iconic artists. His storied annual Pre-Grammy Gala, which just turned 40, is always the hottest ticket of the year, drawing the biggest stars across music, film, television, and politics as well as business leaders and glitterati from around the world. For the first time, there will be an inside look in the documentary at the musical and social heights reached by this legendary Gala.

FIFTEENTH ANNUAL TRIBECA FILM FESTIVAL ANNOUNCES JURIED AWARD WINNERS

The 15th annual Tribeca Film Festival, co-founded by Robert De Niro, Jane Rosenthal, and Craig Hatkoff, and presented by AT&T, announced the winners of its competition categories at the awards ceremony at 42 W NY. Top awards went to Dean, Junction 48, and Do Not Resist. The Festival runs through April 24, 2016.

For the first time in the Festival’s history there were separate US and International narrative competition categories. In total winners were awarded in the following feature film competition categories: US Narrative, International Narrative, World Documentary, New Narrative Director, The Albert Maysles New Documentary Director, and the Nora Ephron Prize.  Awards were also given in the short film categories: Narrative, Documentary, and Student Visionary.  

In addition, the Festival announced the recipients of the Storyscapes Award, for immersive storytelling, and the inaugural Tribeca X Award, a new juried award for branded storytelling recognizing the intersection of advertising and entertainment.

This year’s Festival included 102 features, 74 short films, and 38 immersive storytelling projects from 42 countries.

“We are proud to celebrate the winning filmmakers, artists, and creators from our 15th edition,” said Jane Rosenthal, co-founder, Tribeca Film Festival. “Their stories have entertained, inspired, and challenged us to think about the world and we are grateful to them for sharing their work with us.”

Screenings of the award–winning films will take place throughout the final day of the Festival: Sunday, April 24, at various venues. Specific times and ticketing information are available at www.tribecafilm.com/festival.

The winners of the Audience Awards, powered by Infor, which are determined by audience votes throughout the Festival, will be announced on April 23.

In addition to cash awards and in-kind services provided by sponsors including AKA Hotel Residences, AT&T, Bira 91, Coach, Company 3, Freixenet Cava, HBO, Infor, and Netflix, the Festival presented the winners with original pieces of art created by 10 contemporary artists: Keith Edmier, Marc Hundley, Zak Kitnick, John Miller, Virginia Overton, Laura Owens, Josh Tonsfeldt Sara VanDerBeek, Stephen Hannock and Clifford Ross.

The winners, awards, and comments from the jury who selected the recipients are as follows:

U.S. NARRATIVEFEATURE COMPETITION CATEGORIES: 
  
The jurors for the 2016 U.S. Narrative Competition, sponsored by AKA Hotel Residences,were Anne Carey, James Le Gros, Chris Nashawaty, Mya Taylor and Jennifer Westfeldt.

• The Founders Award for Best Narrative Feature – Dean, written and directed by Demteri Martin. Winner receives $20,000, sponsored by AT&T, and the art award “Waking Up in the Painted World” by Stephen Hannock. The award was given by Robert De Niro and Jane Rosenthal joined by Fiona Carter, SVP of Brand Marketing, Advertising, and Sponsorships, AT&T, and Jennifer Westfeldt. 
  
  Jury Comment: “We have had the great privilege of seeing ten accomplished and ambitious films over the last seven days here at Tribeca. But we all fell in love with this next film. It manages the near impossible task of breathing new life into a well-worn genre, balancing humor and pathos with an incredibly deft touch, and offering a unique perspective on the way we process loss.”

• Best Actor in a U.S. Narrative Feature Film –Dominic Rains in The Fixer. The award was given by Chris Nashawaty.
  
  Jury Comment: “For his deeply emotional and empathic portrayal of a man who’s a stranger in a strange land.”

• Best Actress in a U.S. Narrative Feature Film – Mackenzie Davis in Always Shine.The award was given by Mya Taylor.
  
  Jury Comment: “For the unapologetic, fierce, brave, compelling, and vulnerable portrayal.”

• Best Cinematography in a U.S. Narrative Feature Film – Cinematography by Michael Ragen for Kicks. Winner receives $50,000 in post-production services donated by Company 3. The award was given by Anne Carey along with David Feldman, Company 3 Director of Feature Services. 
  
  Jury Comment: “At times lyrical and other times visceral, the seductive cinematography of this film lured us into the violent world of busted childhood.”

• Best Screenplay in a U.S. Narrative Feature Film – Women Who Kill written by Ingrid Jungermann. Winner receives $2,500 sponsored by Freixenet Cava. The award was given by James Le Gros along with Tom Burnet, President, Freixenet America.
  
  Jury Comment: “As Miles Davis said, ‘The hardest thing is to be original.’ This unique and deftly hilarious tale told in Brooklyn is from a fresh voice and a true original.”

INTERNATIONAL NARRATIVE  FEATURE COMPETITION CATEGORIES: 
  
The jurors for the 2016 International Narrative Competition were Hany Abu-Assad, Jean Reno, Lydia Dean Pilcher, Sam Taylor-Johnson and Danny Glover.

• The Best International Narrative Feature – Junction 48, written and directed by Udi Aloni. Winner receives $20,000, sponsored by Netflix, and the art award “Temple of the Moon” by Sara VanDerBeek. The award was given by Danny Glover.
  
  Jury Comment: “This award goes to a phenomenal, stand-out, powerful, thoughtful movie. It offers a new perspective and insightful approach to a story about how to be different and live together.”

• Best Actor in an International Narrative Feature Film –Alan Sabbagh in The Tenth Man. The award was given by Jean Reno.
  
  Jury Comment: “A performance of natural subtlety that reflected a community that is unknown to most of us. An intriguing journey for connection in search for identity.”

• Best Actress in an International Narrative Feature Film – Radhika Apte in Clean Shaven, a part of Madly.The award was given by Jean Reno.
  
  Jury Comment: “This award goes to an actress who has conveyed bravery and emotional depth in different relationships around her.  A contemporary story that breaks through established culture.”

• Best Cinematography in an International Narrative Feature Film – Cinematography by Kjell Vassdal for El Clasico . Winner receives $50,000 in post-production services donated by Company 3. The award was given by Sam Taylor-Johnson along with David Feldman, Company 3 Director of Feature Services.
  
  Jury Comment: “This award goes to an expansive, naturalistic photography in serving the narrative and the emotional journey of the characters.”

• Best Screenplay in an International Narrative Feature Film – Perfect Strangers written by Filippo Bologna, Paolo Costella, Paolo Genovese, Paola Mammini, and Rolando Ravello. Winners receive $2,500 sponsored by Freixenet Cava. The award was given by Hany Abu-Assad along with Tom Burnet, President, Freixenet America.
  
  Jury Comment: “This award goes to a well-crafted, entertaining scenario, with deep character development. It’s an original story about private lives and hidden secrets.”

WORLD DOCUMENTARY COMPETITION CATEGORIES: 
  
The jurors for the 2016 World Documentary Competition, sponsored by Bira 91, were Laura Poitras, Douglas Tirola and Roger Ross Williams.

• Best Documentary Feature – Do Not Resist, directed by Craig Atkinson (USA). Winner receives $20,000, sponsored by Netflix, and the art award “Untitled” by Virginia Overton. The award was given by Roger Ross Williams.
  
  Jury Comments: “This film that uses documentary to go deep into a world with a cinematic experience.  We were excited by the directorial debut of a cinematographer who already has created a great body of work.  Do Not Resist shines a light on the frightening story of the militarization of the police.  In an impactful way the director uses his amazing access to look at power and force from the inside.”

• Best Documentary Cinematography – Cinematography by Jarred Alterman for Contemporary Color (USA).  Winner receives $2,500, sponsored by Bira 91. The award was given by Doug Tirola and Ankur Jain, CEO, Bira 91.

• Best Documentary Editing – Editing by Bill Ross for Contemporary Color (USA). Winner receives $2,500, sponsored by Bira 91.  The award was given by Doug Tirola and Ankur Jain, CEO, Bira 91.
  
  Jury Comments: “One film above all others demonstrated filmmakers completely in control of their craft.  Through both the editing and cinematography this film takes the audience deep into a unique world and its characters with nuance, emotion and beauty while also showcasing performances in a spectacular and grand cinematic way.

BEST NEW NARRATIVE DIRECTOR COMPETITION: 
  
The jurors for the 2016 Best New Narrative Director Competition were Hill Harper, Col Needham and Ry Russo-Young.  

• Best New Narrative Director – Priscilla Anany, director of Children of the Mountain (USA, Ghana). Winner receives $10,000 sponsored by HBO, and the art award “The Transit of Venus (Melanie)” by Keith Edmier. The award was given by the jury.
  
  Jury Comments: "So many of the films we had the pleasure of viewing were expertly directed and worthy of recognition. The winning director presents a fearless and heart wrenching tale of an embattled mother's high stakes journey to heal her sick child and ultimately herself. The film delicately and powerfully directs us through an emotionally resonant story that is dark for truthful reasons and simultaneously hopeful.  The best new narrative director award goes to Priscilla Anany for Children of the Mountain."

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2016 Albert Maysles New Documentary Director Award were Jason Biggs, Karen Cooper and Sebastian Silva.

• Albert Maysles New Documentary Director Award – David Feige for Untouchable (USA).Winner receives $10,000 sponsored by Netflix, and the art award “Lenox Hill” by Josh Tonsfeldt. The award was given by Sebastian Silva.
  
  Jury Comment: “The film opens our eyes to the suffering of people on both sides of a controversial fence.  Made with compassion for all of its subjects, the film is a fascinating look into how laws are created with the best of intentions, but enforced in problematic and sometimes destructive ways.”

SHORT FILM COMPETITION CATEGORIES: 
  
The 2016 Best Narrative Short Competition jurors were Mike Birbiglia, Chloe Grace Moretz and Sheila Nevins.

• Best Narrative Short – Hold On (Houvast), directed by Charlotte Scott-Wilson (Netherlands).Winner receives $5,000 sponsored by Netflix, and the art award “It's You and Me Kid” by Marc Hundley. The award was given by Mike Birbiglia. 
  
  Jury Comments: “The jury was moved by one particular film because it is simultaneously about the price of performance, and the entirely unique idea that the protagonist’s musical performance itself succeeds on the back of her own self-doubt, torture, and anxiety. We were also blown away by the remarkable performance of the lead actress in both her emotional depth combined with her musical proficiency.”

The 2016 Best Documentary Short and Student Visionary Award jurors were Maria Cuomo Cole, Mark Conseulos, Jessica Yu, Parker Posey and Alan Yang.

• Best Documentary Short – Extremis directed by Dan Krauss (USA). Winner receives $5,000 sponsored by AKA Hotel Residences, and the art award “Untitled (11/30/96)” by John Miller. The award was given by Maria Cuomo Cole along with Larry Korman, President, AKA Hotel Residences.
  
  Jury Comments: “This film's cinematography is intimate yet unobtrusive; its point of view is empathetic and non-judgemental. And ultimately, it respects the conflicting perspectives at a morally wrenching crossroads.” 

• Student Visionary Award – Ping Pong Coach (乒乓), directed by Yi Liu. (Taiwan R.O.C., USA). Winner receives $5,000 sponsored by HBO. The award was given by Sharon Badal, Tribeca’s Vice President Shorts Programming and Filmmaker Relations along with Larry Korman, President, AKA Hotel Residences.
  
  Jury Comments: “For its naturalistic tone and compelling performances, this film impacted us in a real way.”

STORYSCAPES AWARD

The 2016 Storyscapes Award, presented by AT&T, which recognizes groundbreaking approaches in storytelling and technology, jurors were Jessica Brillhart, Jigar Mehta and Saschka Unseld.

• Storyscapes Award: Notes on Blindness: Into Darkness created by Arnaud Colinart, Amaury La Burthe, Peter Middleton, and James Spinney. Winner receives $10,000, presented by AT&T. The award was given by Jessica Brillhart, Saschka Unseld, and Olga Serna, Senior Marketing Manager, AT&T. 
  
  Jury Comments: “The most powerful stories allow us to see the world and its vast array of experiences through someone else's eyes.  One project took us on that journey in a most unexpected way. Through its creative use of a medium and its meticulous and elegantly crafted audio landscape. Through its dedication to nuance and aesthetic. Through its care and compassion not only for the protagonist, but for those who take the journey with him. Because as the piece so eloquently ends: ‘After all, being human is not seeing, it’s loving.”

THE NORA EPHRON PRIZE 

  The 2016 Nora Ephron Prize, sponsored by Coach, jurors were Rachael Leigh Cook, Judy Greer and Mary Stuart Masterson.

• The Nora Ephron Prize: Rachel Tunnard, director, writer and editor of Adult Life Skills (UK). Winner receives $25,000, sponsored by Coach, and the art award “Untitled” by Laura Owens. The award was given by the jury along with Margaret Coady, Executive Director of Corporate Social Responsibility and Coach Foundation at Coach, Inc.
  
  Jury Comments: “We selected someone whose originality of voice, deft handling of tone, assured visual and editorial style, and moving poetic screenplay combined to make us feel from the opening sequence that we were in good hands. She made a tiny—even miniaturized—world, seem vast. She handled grief in a wholly unique way. Using wit and emotional restraint to pull the audience in. And make us root for our protagonist to blow up the shed!”

TRIBECA X AWARD

The Tribeca X award, sponsored by GE, jurors were Laurie Anderson, Scott Carlson, Judy McGrath, Liev Schreiber and Hank Willis Thomas.

• Tribeca X award: Hearing Colors created by Greg Brunkalla for Samsung. The award was given by Scott Carlson and Hank Willis Thomas along with Andy Goldberg, Chief Creative Officer, GE. 
  
  Jury Comments: “We were drawn in by the story and the inventive way it was told, we loved what it taught us about ways to see the world. The piece communicated Samsung's brand values effortlessly without ever overtly talking about the brand itself. So we appreciated the approach and we appreciated that Samsung supported this film and all the creativity that made it possible. When the world is given entertaining stories and novel ways of telling these stories, there is no doubt they will be shared.”

FULL LIST OF ELIGIBLE 2016 TFF FILMS IN EACH CATEGORY OF COMPETITION: 
  
U.S. Narrative Feature Competition:

• Founders Award for Best Narrative Feature:10 films
• Best Actress in a U.S. Narrative Feature: 9 actresses
• Best Actor in a U.S. Narrative Feature: 9 actors
• Best Cinematography in a U.S. Narrative Feature: 10 films
• Best Screenplay for a U.S. Narrative Feature: 10 films
• Best Editing in a U.S. Narrative Feature: 10 films

International Narrative Feature Competition:

• Best International Narrative Feature: 8 films
• Best Actress in an International Narrative Feature:  9 actresses
• Best Actor in an International Narrative Feature: 10 actors
• Best Cinematography in an International Narrative Feature:  8 films
• Best Screenplay for an International Narrative Feature:  8 films
• Best Editing in an International Narrative Feature: 8 films

World Documentary Feature Competition:

• Best Documentary Feature: 12 films
• Best Editing in a Documentary Film:  12 filmmakers
• Best Cinematography in a Documentary Film: 12 filmmakers

  
 Best New Narrative Director Competition:

• Best New Narrative Director: directors selected from 13 films

Albert Maysles New Documentary Director Competition:

• Albert Maysles New Documentary Director Award: directors selected from 12 films

Short Film Competition:

• Best Narrative Short: 29 films
• Best Documentary Short: 16 films
• Student Visionary Award: 8 films

Storyscapes Competition:

• Storyscapes Award: 10 projects

Nora Ephron Prize:

• Awarded to a female director or screenwriter. Selected from 13 eligible films, with 6 female writer-directors, 10 female writers, and 4 female directors

Tribeca X Award

• •  Selected from more than 100 submissions of scripted and documentary work for film, TV, digital, social, and VR/AR, in both feature or short length, funded with support from a brand in collaboration with artists or filmmakers.

For more information on all of the films in the 2016 Tribeca Film Festival, please visit tribecafilm.com/festival.

 About the Tribeca Film Festival 
The Tribeca Film Festival, now in its 15th year, brings together visionaries across industries and diverse audiences to celebrate the power of storytelling. A platform for independent filmmaking, creative expression and immersive entertainment, Tribeca supports emerging and established voices, discovers award-winning filmmakers, curates innovative and interactive experiences, and introduces new technology and ideas through panels, premieres, exhibitions, and live performance.

Tribeca Filim Festival 2016: Virtual Arcade

Written By Justin D Williams

Tribeca Film Festival 2016 had one very interesting showcase that caught my eye this year. This showcase was Tribeca Film Festival: Virtual Arcade. While the showcase did have one or two VR games to experience. The showcase main focus was to show what can possibly the future of movie interaction. The Virtual Arcade showcase 13 VR shorts/films and all. I must say that I was really immerse on how close to the action I was. I saw two films. One film focus on an actual carnival experience which had some horror elements. I was right in the middle as the performances were going on. This was something to see and for someone who isn't too fond of clowns, this was kind of a nerving experience when I turn around and saw a clown behind me. The way VR uses the cinematography to have to whole film play all around you is definitely going to be the future. I will go on record to say that the best thing that will happen to VR will be the horror genre. The way horror is going to be able to grab us by our emotions, the way we have to use our body to see what is behind us is going to be a huge hit. Other films were also great to see. Animation was also used very well in VR. I think kids are going to really gravitate to what will be happening in 2017. Overall I had a great time interacting with some new films and getting to see some cool stuff like the Shadow technology which operates on motions and touch. If this comes back in 2017 I'm surely going to go back and check more stuff out. 

30 for 30: This Magic Moment Red Carpet Pictures

Written By Justin D Williams

I attend the 30 for 30 Red Carpet premiere and the big man himself Shaq was in attendence. Check out the pictures below.